4 – 6 April

Open House Marathon

The Conservatoire de Musique de Genève opens its doors to the public for a unique exploration of music and theater. This immersive event invites visitors of all ages to discover the richness of musical education through concerts, performances, instrument demonstrations, and interactive workshops. Whether you’re a beginner or a seasoned music enthusiast, the Open House Marathon offers a chance to experience the dynamic world of the Conservatory, meet passionate musicians, and take part in engaging activities.

Registrations for the Conservatoire courses are open over the weekend: You can register directly on the 1st floor, across from the stairs, in the director’s office, on Saturday 5 April from 9:00 to 18:00 and Sunday 6 April from 10:00 to 15:00.

Place de Neuve 5,
1204 Genève
Photo Credit: Conservatoire de Musique de Genève
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Photo Credit: Conservatoire de Musique de Genève

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25 March – 3 April

Calixto Bieito completes his Russian opera cycle at the Grand Théâtre de Genève with a new production of Modest Mussorgsky’s Khovantchina, a grand choral opera about brutal power struggles in 17th-century Russia. The work explores the conflict between three socio-political forces: the Westernizing Prince Golitsin, the conservative boyars led by Prince Ivan Khovansky, and the Old Believers, a sectarian religious group. The opera, originally unfinished due to Mussorgsky’s early death, is presented here in Dmitri Shostakovich’s orchestration, with a finale by Igor Stravinsky, blending Russian tradition with forward-looking musical elements.

Bieito’s production, with Alejo Pérez conducting, places a strong focus on the central female character, Marfa, played by mezzo-soprano Raehann Bryce-Davis. The cast includes Dmitri Ulyanov as Prince Ivan Khovansky and Vladislav Sulimsky as Boyar Shaklovity, with the Grand Théâtre’s Chorus and the Orchestre de la Suisse Romande.  The show runs for approximately 4 hours and 15 minutes, with two intermissions.

In Russian, with French and English subtitles.

2 – 5 April

Marion Duval presents her friend Cécile in a captivating solo performance where Cécile’s vibrant, free-spirited life unfolds with natural charm and infectious enthusiasm. Through stories shared as if over a drink, she recounts her diverse experiences—from summer jobs assisting people with disabilities, to her ecological activism, her travels, and even dreams of performing in a musical at a psychiatric hospital. With her boldness, generosity, and humor, Cécile embodies a life unbound by constraints, offering a refreshing take on living fully and freely. The performance invites the audience to join her on a journey of unexpected adventures and unspoken possibilities.

In French.

24 March – 13 April

As its grand finale, POCHE/GVE presents “Villa Dolorosa” by Rebekka Kricheldorf, directed by Manon Krüttli. This witty and sharp adaptation of Chekhov follows Irina, Olga, Masha, and Andrei as they navigate their aspirations and privileges amidst a melancholy-laced daily life. The characters voice their professional and personal uncertainties with biting humor, all while indulging in plenty of vodka. Through their familiar complaints and monologues, they unravel their privileges, possibly for the very last time.

In French.

3 – 13 April

Pascal Gravat presents “Celui qui marche devant,” a poignant and fiery performance. Through automatic writing, he delves into the remnants of his childhood, blending anecdotes with fiction. Accompanied by enigmatic shadows, he unfolds a scene rich in impressionism and surrealism, unveiling the intense and tragic condition of the artist.

In French.

25 March – 13 April

A musical show at the Théâtre de la Parfumerie in Geneva pays tribute to Patti Smith, the rock icon. Directed by Martine Corbat and drawing from the writings of Claudine Galea, the performance delves into Patti’s life and influence through heartfelt and poetic storytelling. Featuring Maud Faucherre, Pierre Omer, and Julien Israelian, this celebration of sisterhood combines music, poetry, and memories to honor the legendary rock poetess.

3 – 5 April

In this performance, Marie-Caroline Hominal, dressed in shimmering jeans, moves through a fantastical world dominated by a pink set designed by her brother, artist David Hominal. The stage features large panels with changing textures, fleeting tones, and repetitive patterns, onto which the dancer projects her shadow, stories, dreams, and doubts. Marie-Caroline plays with repetition, collage, and formal gestures, creating a sense of distance, self-deprecation, and reflection. This is the third time Marie-Caroline has invited an artist to collaborate with her, and for this piece, she works alongside her brother to merge their artistic practices, exploring the intersection of their respective aesthetic universes.

In French.

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