The Duo of the Touche Noire Collective takes the audience on a unique investigation: What is Solitude?
You will join them on a journey through multiple forms of solitude; a voyage through interviews, texts, songs, life scenes, imagined scenes, laughter, and lightness. Each evening will result in the creation of a new landscape in which everyone can recognize themselves.
In French.
In La Tempête ou la Voix du Vent, Shakespeare’s tale unfolds with a storm that shipwrecks King Alonso and his son Ferdinand on a mystical island inhabited by the monstrous Caliban and the ethereal Ariel. Prospero, a sorcerer and exiled Duke of Milan, plots revenge while orchestrating Ferdinand’s love for his daughter Miranda. Through reality and fantasy, malice and drama, Shakespeare’s final play offers both magic and truth. Director Omar Porras brings a fresh perspective, channeling its elemental and theatrical power in a profound, unexpected union.
In French.
Pascal Gravat presents “Celui qui marche devant,” a poignant and fiery performance. Through automatic writing, he delves into the remnants of his childhood, blending anecdotes with fiction. Accompanied by enigmatic shadows, he unfolds a scene rich in impressionism and surrealism, unveiling the intense and tragic condition of the artist.
In French.
Discover the upcoming season of the Orchestre de Chambre de Genève with an evening of discovery and music. Presentations, musical interludes, and moments of exchange will shape the event, complemented by a cocktail reception. The night will continue with a concert with Adélaïde Ferrière and the OCG.
In this performance, Marie-Caroline Hominal, dressed in shimmering jeans, moves through a fantastical world dominated by a pink set designed by her brother, artist David Hominal. The stage features large panels with changing textures, fleeting tones, and repetitive patterns, onto which the dancer projects her shadow, stories, dreams, and doubts. Marie-Caroline plays with repetition, collage, and formal gestures, creating a sense of distance, self-deprecation, and reflection. This is the third time Marie-Caroline has invited an artist to collaborate with her, and for this piece, she works alongside her brother to merge their artistic practices, exploring the intersection of their respective aesthetic universes.
In French.
Lola Giouse’s production of Edmond Rostand’s Cyrano de Bergerac reinvents the classic play with a fresh, contemporary perspective, using live music, an all-female cast, and a queer, feminist lens to explore the love triangle between Cyrano, Roxane, and Christian. By moving beyond the traditional portrayal of the play as a showcase for a single actor, Giouse reclaims the text, infusing it with new meaning while addressing contemporary utopias. Drawing from her own experience as a young actress who once played Cyrano, she offers a joyful and collective reinterpretation that invites the cast and audience to explore multiple identities and declare their love freely.
In French.
Under the baton of Holly Choe, the Geneva Chamber Orchestra offers a unique musical journey with Tan Dun’s “Water Concerto,” featuring water percussion to evoke the sounds of the ocean. The evening continues with Beethoven’s “Symphony No. 3 Eroica,” capturing the upheavals of the late 18th century. The event opens with a performance by students from the Jaques-Dalcroze Institute.
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