Pascal Gravat presents “Celui qui marche devant,” a poignant and fiery performance. Through automatic writing, he delves into the remnants of his childhood, blending anecdotes with fiction. Accompanied by enigmatic shadows, he unfolds a scene rich in impressionism and surrealism, unveiling the intense and tragic condition of the artist.
In French.
Latfro Entertainment invites you to experience KRS-One live in Geneva as part of his Temple of Hip Hop Tour Europe 2025. Recognized as a pioneer of the Boom-Bap sound and an iconic voice in Hip-Hop culture, KRS-One embodies knowledge, awareness, and authenticity. Known for timeless hits like “Sound of da Police” and “MC’s Act Like They Don’t Know,” he represents the heart of Golden Age Hip-Hop.
Lola Giouse’s production of Edmond Rostand’s Cyrano de Bergerac reinvents the classic play with a fresh, contemporary perspective, using live music, an all-female cast, and a queer, feminist lens to explore the love triangle between Cyrano, Roxane, and Christian. By moving beyond the traditional portrayal of the play as a showcase for a single actor, Giouse reclaims the text, infusing it with new meaning while addressing contemporary utopias. Drawing from her own experience as a young actress who once played Cyrano, she offers a joyful and collective reinterpretation that invites the cast and audience to explore multiple identities and declare their love freely.
In French.
Under the baton of Holly Choe, the Geneva Chamber Orchestra offers a unique musical journey with Tan Dun’s “Water Concerto,” featuring water percussion to evoke the sounds of the ocean. The evening continues with Beethoven’s “Symphony No. 3 Eroica,” capturing the upheavals of the late 18th century. The event opens with a performance by students from the Jaques-Dalcroze Institute.
In this performance, Marie-Caroline Hominal, dressed in shimmering jeans, moves through a fantastical world dominated by a pink set designed by her brother, artist David Hominal. The stage features large panels with changing textures, fleeting tones, and repetitive patterns, onto which the dancer projects her shadow, stories, dreams, and doubts. Marie-Caroline plays with repetition, collage, and formal gestures, creating a sense of distance, self-deprecation, and reflection. This is the third time Marie-Caroline has invited an artist to collaborate with her, and for this piece, she works alongside her brother to merge their artistic practices, exploring the intersection of their respective aesthetic universes.
In French.
Discover the upcoming season of the Orchestre de Chambre de Genève with an evening of discovery and music. Presentations, musical interludes, and moments of exchange will shape the event, complemented by a cocktail reception. The night will continue with a concert with Adélaïde Ferrière and the OCG.
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