Sunday 20 April, 12:00

Last Day! Chapter 2: 1975-1979

The exhibition “Disruptions. Early Video Art in Europe” delves into the origins of video art in Switzerland and Europe during the 1970s. Curated by François Bovier and Stéphanie Serra in collaboration with the FMAC, it unfolds in two parts highlighting the period from 1969 to 1979. The exhibition illustrates how video became a transformative medium in the visual arts as a tool for experimentation and innovation, facilitating performances, identity exploration, television critiques, and artistic installations. It showcases works from the FMAC collection alongside European creations, highlighting a vibrant exchange between artistic practices.

Chemin du 23-Août 5,
1205 Genève
{"title":"Last Day! Chapter 2: 1975-1979","description":"The exhibition \u0022Disruptions. Early Video Art in Europe\u0022 delves into the origins of video art in Switzerland and Europe during the 1970s. Curated by Fran\u00e7ois Bovier and St\u00e9phanie Serra in collaboration with the FMAC, it unfolds in two parts highlighting the period from 1969 to 1979. The exhibition illustrates how video became a transformative medium in the visual arts as a tool for experimentation and innovation, facilitating performances, identity exploration, television critiques, and artistic installations. It showcases works from the FMAC collection alongside European creations, highlighting a vibrant exchange between artistic practices.","start_date":"2025-04-20","end_date":"2025-04-20","date":"Sunday 20 April, 12:00","timings":[{"timing_start_date":"20250420T100000Z","timing_end_date":"20250420T160000Z"}]}
Photo Credit: Milliard Reusser

You might also like

13 March – 3 May

MULTIPLES is a group exhibition showcasing the works of renowned artists such as Carl Andre, Francis Baudevin, Daniel Buren, Franz Gertsch, Douglas Gordon, Alex Hanimann, Thomas Huber, Alain Huck, Jasper Johns, Ulrich Meister, Claudio Moser, Markus Raetz, and Lawrence Weiner.

6 March – 19 April

Halle Nord is showcasing three new exhibitions: “Pas-châssés” by Yann Stéphane Bisso, “Untitled” by Akiyoshi Deschenaux, and “Marica” by Anouk Chambaz. The opening event provides an opportunity to meet the artists and the new director, Elise Lammer. The displays can be viewed continuously from the Halles de l’Île passage.

14 March – 3 May

Scottish artist Karla Black presents her first solo exhibition at Galerie Mezzanin, exploring the tension between material experience and self-perception. Through sculptural works that engage with mirrors, paint, and physical presence, Black challenges the historical evolution of self-consciousness—from the reflective surfaces of the past to today’s omnipresent digital screens. Drawing on philosophical and historical references, her work seeks to disrupt the “spell” of modern self-awareness, inviting a return to a more tactile, unmediated engagement with the world.

17 April 2025 – 17 April 2026

The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.

20 February – 31 August

“Home Is Where We Start From” is a contemporary art exhibition organized by ART for The World, in collaboration with Geneva’s Department of Culture and the Museum of Art and History. Featuring works by around 30 artists with diverse migratory backgrounds, the exhibition explores themes of migration, interculturality, and resilience. Notable artists include Marina Abramović, Mona Hatoum, and Shirin Neshat. The exhibition is curated by Adelina von Fürstenberg and includes a book of interviews on the concept of “home” in the context of migration. A special event on International Women’s Day (March 8, 2025) will feature workshops, performances, screenings, and a concert celebrating women artists.

3 – 19 April

Myriam Koné’s exhibition delves into the layers of human experience, with a focus on motherhood and cultural identity. Through a series of self-portraits crafted with materials like wood, goat skin, and cotton, she weaves a singular narrative. Works such as “Skin Envelopes” and “Layers of Life” explore the intricate nature of motherhood and identity, celebrating the beauty of scars and memories.

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Add to Calendar

Select the date to be saved in your Google calendar.

calendar placeholder

Done!

Event removed from your CoolAgenda.

Yeah!

Event Saved to your CoolAgenda

Add to CoolAgenda

In your CoolAgenda

Reset password

Password was reset

Your password has been reset successfully. You can now log in with your new password.

Check your Inbox

We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.

Forgot your password?

Thank you!

Please check your inbox for a verification email to complete your sign-up.

Sign Up

Create your Account and Culture Up!