15 and 16 April

Mark Lorimer, Stavroula Siamou, Sophia Rodríguez & La Manufacture

This year, the young performers from La Manufacture’s bachelor’s program in contemporary dance are under the guidance of Mark Lorimer, Stavroula Siamou, and Sophia Rodrìguez. They will showcase pieces including “Unison …but off” by Mark Lorimer, “Monsters / shifting inner geographies” by Stavroula Siamou, and “WRDS M F N T S S” by Sophia Rodrìguez.

Place Beatriz-Consuelo,
1206 Genève
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Photo Credit: © AlinePaley

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Thursday 3 April, 18:30

The MEG and Archipel Festival welcome South African guitarist Sibusile Xaba for a concert, followed by a meal and discussion led by Mo Laudi. This event, part of the MEGAFOLK series, celebrates the revival of South African maskandi through Xaba’s dreamy and socially conscious music. After the performance, attendees will have the opportunity to engage in conversation about his musical practice and the cultural context of his work.

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Prima Facie challenges the very foundations of the judicial system, which playwright and former criminal lawyer Suzie Miller describes as having a “pitifully low” conviction rate for sexual assault cases. How much space does this system truly allow for hearing and believing the voices of survivors?

Young actress Anna Budde takes on this searing text, which has earned its Australian author numerous awards.

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Thursday 3 April, 20:00

Latfro Entertainment invites you to experience KRS-One live in Geneva as part of his Temple of Hip Hop Tour Europe 2025. Recognized as a pioneer of the Boom-Bap sound and an iconic voice in Hip-Hop culture, KRS-One embodies knowledge, awareness, and authenticity. Known for timeless hits like “Sound of da Police” and “MC’s Act Like They Don’t Know,” he represents the heart of Golden Age Hip-Hop.

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Calixto Bieito completes his Russian opera cycle at the Grand Théâtre de Genève with a new production of Modest Mussorgsky’s Khovantchina, a grand choral opera about brutal power struggles in 17th-century Russia. The work explores the conflict between three socio-political forces: the Westernizing Prince Golitsin, the conservative boyars led by Prince Ivan Khovansky, and the Old Believers, a sectarian religious group. The opera, originally unfinished due to Mussorgsky’s early death, is presented here in Dmitri Shostakovich’s orchestration, with a finale by Igor Stravinsky, blending Russian tradition with forward-looking musical elements.

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In French.

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