The exhibition “Disruptions. Early Video Art in Europe” delves into the origins of video art in Switzerland and Europe during the 1970s. Curated by François Bovier and Stéphanie Serra in collaboration with the FMAC, it unfolds in two parts highlighting the period from 1969 to 1979. The exhibition illustrates how video became a transformative medium in the visual arts as a tool for experimentation and innovation, facilitating performances, identity exploration, television critiques, and artistic installations. It showcases works from the FMAC collection alongside European creations, highlighting a vibrant exchange between artistic practices.