Don’t just like it, live it!

Tuesday 3 March, 16:15

Till Mostowlansky, anthropologist at the Geneva Graduate Institute, presents the edited volume Humanitarianism from Below? with contributions from Alexander Ephrussi. Discussant Prof. Davide Rodogno joins the conversation.

Drawing on ethnographic and historical research, the seminar examines alternative and often overlooked forms of humanitarianism worldwide, interrogating assumptions of universalism and assessing their effects on global aid practices. The discussion highlights local initiatives, moral economies, and the political stakes of defining humanitarian worth.

In English.

Tuesday 3 March, 18:30

As part of the Ciné-Club UNE AUTRE HISTOIRE, Claudine Bories gives voice to men in this incisive 1981 documentary, listening to their stories about childhood, love, sexuality, and everyday life. Shot in color, each testimony is framed in an intimate, familial, or personal setting, turning their words into a vivid, often playful, and highly intense portrait. Winner of the Grand Prize in the French Competition at Cinéma du réel, the film combines rigor and warmth to explore masculinity and human connections.

The screening will be presented with the director Céline Pernet as a special guest.

In original French version.

Tuesday 3 March, 12:30

Emmanuel Rondeau, financier and bank administrator and author of Les frères d’Astier de La Vigerie, Français libres (Tallandier, 2025), combines family memory and historical inquiry. He examines three members of the d’Astier de la Vigerie family — each with divergent public roles yet united in their commitment to the French Resistance — to reveal how personal convictions shaped national destiny. The lecture explores political identity, courage and the moral complexities of resistance, told with close knowledge and narrative panache.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

Tuesday 3 March, 18:30

Lucy Lagier, specialist in early modern history and author of a bachelor’s thesis on ceremonial display and royal image in the sixteenth century, will begin a Master’s in General History at the University of Neuchâtel.

This lecture examines the politics of appearance around Elizabeth I, exploring how clothing and jewellery signalled social rank and inner identity. It investigates the influence of Protestant norms on her aesthetic choices and considers whether crafted imagery contributed to the acquisition and preservation of monarchical power.

In French.

3 – 15 March

Morpho is the first photographic exhibition by Lamine Jammeh (Lemz.O) that honors dancers who assert their identities beyond appearance. Through staged portraits and a sensitive visual language, Jammeh explores themes of identity, embodiment and performative selfhood. The series celebrates diversity, courage and the expressive power of movement, presenting intimate, high-contrast images that foreground presence and gesture. Scenography by Lola Delbec and portraits include Sofiane Chalal, Missy NRC, Samantha Panda Laley, Maela Bouguila and Nicolas Meyapan.

Tuesday 3 March, 16:15

Till Mostowlansky, anthropologist at the Geneva Graduate Institute, presents the edited volume Humanitarianism from Below? with contributions from Alexander Ephrussi. Discussant Prof. Davide Rodogno joins the conversation.

Drawing on ethnographic and historical research, the seminar examines alternative and often overlooked forms of humanitarianism worldwide, interrogating assumptions of universalism and assessing their effects on global aid practices. The discussion highlights local initiatives, moral economies, and the political stakes of defining humanitarian worth.

In English.

Tuesday 3 March, 18:30

As part of the Ciné-Club UNE AUTRE HISTOIRE, Claudine Bories gives voice to men in this incisive 1981 documentary, listening to their stories about childhood, love, sexuality, and everyday life. Shot in color, each testimony is framed in an intimate, familial, or personal setting, turning their words into a vivid, often playful, and highly intense portrait. Winner of the Grand Prize in the French Competition at Cinéma du réel, the film combines rigor and warmth to explore masculinity and human connections.

The screening will be presented with the director Céline Pernet as a special guest.

In original French version.

Tuesday 3 March, 12:30

Emmanuel Rondeau, financier and bank administrator and author of Les frères d’Astier de La Vigerie, Français libres (Tallandier, 2025), combines family memory and historical inquiry. He examines three members of the d’Astier de la Vigerie family — each with divergent public roles yet united in their commitment to the French Resistance — to reveal how personal convictions shaped national destiny. The lecture explores political identity, courage and the moral complexities of resistance, told with close knowledge and narrative panache.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

Tuesday 3 March, 18:30

Lucy Lagier, specialist in early modern history and author of a bachelor’s thesis on ceremonial display and royal image in the sixteenth century, will begin a Master’s in General History at the University of Neuchâtel.

This lecture examines the politics of appearance around Elizabeth I, exploring how clothing and jewellery signalled social rank and inner identity. It investigates the influence of Protestant norms on her aesthetic choices and considers whether crafted imagery contributed to the acquisition and preservation of monarchical power.

In French.

3 – 15 March

Morpho is the first photographic exhibition by Lamine Jammeh (Lemz.O) that honors dancers who assert their identities beyond appearance. Through staged portraits and a sensitive visual language, Jammeh explores themes of identity, embodiment and performative selfhood. The series celebrates diversity, courage and the expressive power of movement, presenting intimate, high-contrast images that foreground presence and gesture. Scenography by Lola Delbec and portraits include Sofiane Chalal, Missy NRC, Samantha Panda Laley, Maela Bouguila and Nicolas Meyapan.

Tuesday 3 March, 16:15

Till Mostowlansky, anthropologist at the Geneva Graduate Institute, presents the edited volume Humanitarianism from Below? with contributions from Alexander Ephrussi. Discussant Prof. Davide Rodogno joins the conversation.

Drawing on ethnographic and historical research, the seminar examines alternative and often overlooked forms of humanitarianism worldwide, interrogating assumptions of universalism and assessing their effects on global aid practices. The discussion highlights local initiatives, moral economies, and the political stakes of defining humanitarian worth.

In English.

Tuesday 3 March, 18:30

As part of the Ciné-Club UNE AUTRE HISTOIRE, Claudine Bories gives voice to men in this incisive 1981 documentary, listening to their stories about childhood, love, sexuality, and everyday life. Shot in color, each testimony is framed in an intimate, familial, or personal setting, turning their words into a vivid, often playful, and highly intense portrait. Winner of the Grand Prize in the French Competition at Cinéma du réel, the film combines rigor and warmth to explore masculinity and human connections.

The screening will be presented with the director Céline Pernet as a special guest.

In original French version.

Tuesday 3 March, 12:30

Emmanuel Rondeau, financier and bank administrator and author of Les frères d’Astier de La Vigerie, Français libres (Tallandier, 2025), combines family memory and historical inquiry. He examines three members of the d’Astier de la Vigerie family — each with divergent public roles yet united in their commitment to the French Resistance — to reveal how personal convictions shaped national destiny. The lecture explores political identity, courage and the moral complexities of resistance, told with close knowledge and narrative panache.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

Tuesday 3 March, 18:30

Lucy Lagier, specialist in early modern history and author of a bachelor’s thesis on ceremonial display and royal image in the sixteenth century, will begin a Master’s in General History at the University of Neuchâtel.

This lecture examines the politics of appearance around Elizabeth I, exploring how clothing and jewellery signalled social rank and inner identity. It investigates the influence of Protestant norms on her aesthetic choices and considers whether crafted imagery contributed to the acquisition and preservation of monarchical power.

In French.

3 – 15 March

Morpho is the first photographic exhibition by Lamine Jammeh (Lemz.O) that honors dancers who assert their identities beyond appearance. Through staged portraits and a sensitive visual language, Jammeh explores themes of identity, embodiment and performative selfhood. The series celebrates diversity, courage and the expressive power of movement, presenting intimate, high-contrast images that foreground presence and gesture. Scenography by Lola Delbec and portraits include Sofiane Chalal, Missy NRC, Samantha Panda Laley, Maela Bouguila and Nicolas Meyapan.

7 – 8 March

Alongside the CLEO production at Théâtre Am Stram Gramm, Rémi De Vos will lead a theater writing workshop at Maison Rousseau et Littérature. Over two days, participants will engage in practical exercises to explore why some writings are suited for the stage while others may present challenges. This friendly workshop offers a chance to benefit from De Vos’s expertise and delve into the process of writing for theater.

In French.

Saturday 7 March, 19:30

A screening of the documentary The Librarians, which exposes the large-scale removal of books and the culture war unfolding in the United States, followed by a hard-hitting debate on America’s authoritarian drift. From the erosion of civil liberties to the undermining of democratic institutions and the global export of these practices, experts and activists examine how recent U.S. policies are reshaping power at home and beyond.

Discussions are interpreted in English and French; the film is in English and German, with French and English subtitles.

Saturday 7 March, 20:00

Led by conductor Jean-Paul Odiau, a 50‑musician cross‑border orchestra pays a large-scale tribute to Miles Davis on the centenary of his birth. Trumpeter Médéric Collignon and his quartet bring an explosive, free-spirited energy, blending composed arrangements with improvisation. The performance moves between transmission and celebration, exploring the textures and moods of Davis’s repertoire with orchestral power and jazz freedom. Presented by the Service de la culture et de la communication — Ville de Vernier in partnership with JazzContreBand, Château Rouge and Vernier Culture.

5 – 8 March

A man performs on stage, sharing a personal reflection alongside his family, friends, therapist, colleagues, and ex-partners. In seven acts, he delves into pivotal anecdotes to question gender imperatives from childhood to adulthood. The play, “Le Premier Sexe,” addresses the journey from oppression to emancipation and the shift from toxic masculinity to a distinctive masculine identity. Produced by Compagnie Passages, with Mickaël Délis responsible for both writing and directing, in collaboration with Vladimir Perrin and other artists.

In French.

Saturday 7 March, 21:00

Led by London-born pianist Dave O’Brien, newly based in Geneva, this quartet presents a varied programme of original, rhythmically propulsive compositions alongside reworkings of Punch Brothers and Duke Ellington. With Manu Gesseney on saxophone, Pierre Balda on double bass and Ibrahim Terkemani on drums, the group blends folk-inflected lyricism, modern jazz harmonies and cinematic textures inspired by Tigran Hamasyan, Chick Corea and Avishai Cohen. Expect close, improvisational interplay, dynamic shifts and a warm, tactile sound that moves between intimacy and expansive momentum.

6 – 8 March

Astral Festival gathers international DJs and local collectives for three nights of immersive electronic music and club-based performances. Curated sets move from dense, textured soundscapes to pulsing dancefloor drivers, framed by scenographic light and visual design that evoke a cosmic, nocturnal journey. The event foregrounds collaborations between producers, visual artists and venues, creating a communal, kinetic atmosphere that blends rave energy with curated sonic exploration.

Tuesday 3 March, 16:15

Till Mostowlansky, anthropologist at the Geneva Graduate Institute, presents the edited volume Humanitarianism from Below? with contributions from Alexander Ephrussi. Discussant Prof. Davide Rodogno joins the conversation.

Drawing on ethnographic and historical research, the seminar examines alternative and often overlooked forms of humanitarianism worldwide, interrogating assumptions of universalism and assessing their effects on global aid practices. The discussion highlights local initiatives, moral economies, and the political stakes of defining humanitarian worth.

In English.

Tuesday 3 March, 18:30

As part of the Ciné-Club UNE AUTRE HISTOIRE, Claudine Bories gives voice to men in this incisive 1981 documentary, listening to their stories about childhood, love, sexuality, and everyday life. Shot in color, each testimony is framed in an intimate, familial, or personal setting, turning their words into a vivid, often playful, and highly intense portrait. Winner of the Grand Prize in the French Competition at Cinéma du réel, the film combines rigor and warmth to explore masculinity and human connections.

The screening will be presented with the director Céline Pernet as a special guest.

In original French version.

Tuesday 3 March, 12:30

Emmanuel Rondeau, financier and bank administrator and author of Les frères d’Astier de La Vigerie, Français libres (Tallandier, 2025), combines family memory and historical inquiry. He examines three members of the d’Astier de la Vigerie family — each with divergent public roles yet united in their commitment to the French Resistance — to reveal how personal convictions shaped national destiny. The lecture explores political identity, courage and the moral complexities of resistance, told with close knowledge and narrative panache.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

Tuesday 3 March, 18:30

Lucy Lagier, specialist in early modern history and author of a bachelor’s thesis on ceremonial display and royal image in the sixteenth century, will begin a Master’s in General History at the University of Neuchâtel.

This lecture examines the politics of appearance around Elizabeth I, exploring how clothing and jewellery signalled social rank and inner identity. It investigates the influence of Protestant norms on her aesthetic choices and considers whether crafted imagery contributed to the acquisition and preservation of monarchical power.

In French.

3 – 15 March

Morpho is the first photographic exhibition by Lamine Jammeh (Lemz.O) that honors dancers who assert their identities beyond appearance. Through staged portraits and a sensitive visual language, Jammeh explores themes of identity, embodiment and performative selfhood. The series celebrates diversity, courage and the expressive power of movement, presenting intimate, high-contrast images that foreground presence and gesture. Scenography by Lola Delbec and portraits include Sofiane Chalal, Missy NRC, Samantha Panda Laley, Maela Bouguila and Nicolas Meyapan.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Cultural director of the Société de Lecture, Emmanuel Tagnard shares his Geneva essentials — from must-see landmarks and favorite chocolatiers to the book currently on his bedside table.
Over coffee, collector and cultural advocate Anne-Shelton reflects on belonging, movement, and the quiet persistence behind Geneva’s art ecosystem. From MAMCO to today’s cultural landscape, this conversation traces a life shaped by long-term commitment, curiosity, and care.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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