Don’t just like it, live it!

25 July – 2 August

Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.

9 – 31 July

Inner Light is a Swiss artistic collective founded by Kim Coussée, Eliott Villars and Gaia Vincensini that works at the intersection of contemporary art, fashion and publishing. Their transdisciplinary practice combines printmaking, textile, sculpture and performance to question the circulation of printed images across unconventional supports. For this project they invited artist Lyna Azwaw to stage an edition inspired by documents and publications found in archives. The presentation includes performances and contributions by Js Donny, Rosalie Dubois and Leandro Russo.

Opening: Thursday 9 July, 20:00 – 22:00

Wednesday 29 July, 21:00

Led by the ensemble Canticum Novum, Samâ‑ï blends early music with Mediterranean and Near Eastern traditions to trace the layered history of Aleppo. Vocal textures and period and traditional instruments weave songs and modes that evoke a city of converging cultures—Byzantine, Arab, Ottoman, Armenian, Christian and Jewish—exploring memory, coexistence and passage. The performance favors attentive listening, offering intimate, richly textured soundscapes that bridge historical practice and living tradition.

29 – 31 July

Marlène Charpentié conjures a strange papier-mâché garden in this hybrid performance that mixes theatre, clown and dance. Three figures — an obsessed drag-king, a heartbroken diva vampire and a queer Pierrot who tends fading, reviving flowers — share the stage without words. Between absurd humour and a critique of capitalism, the piece plays out like a cracked cabaret where material is worked live: objects are handled, transformed and revealed in a visceral, intimate exchange with the audience.

In French.

20 May – 31 July

Genevan artist Gérald Grosjean presents a focused series of paintings and handcrafted maquettes that examine industrial and railway landscapes. The show gathers twenty-seven canvases and three models made from reclaimed materials, emphasising a pointillist approach to structures such as stations, bridges, dams, factories and viaducts. Through meticulous dots and assembled found objects, Grosjean explores the aesthetic presence and collective memory of infrastructure, inviting reflection on material reuse and the visual poetry of engineered landscapes.

Opening : Tuesday 19 May, 18:00

2 July – 27 August

Tobias Kaspar (né en 1984 à Bâle, Suisse) est un artiste vivant et travaillant entre Zurich et Riga, ainsi qu’à Mesocco (Suisse) et Salacgrīva (Lettonie), où il dirige The Estate, deux résidences d’artistes et espaces d’exposition. Depuis près de vingt ans, sa pratique multidisciplinaire explore les systèmes à travers lesquels la valeur culturelle, l’auteurité, l’ambition et la signification sont produites et diffusées. À travers la photographie, le textile, l’installation, l’édition, la mode et la conception d’expositions, Kaspar fait souvent des mécanismes de la production culturelle le sujet même de son travail. Son œuvre a été présentée dans de nombreuses institutions internationales, notamment à Artists Space, Hamburger Bahnhof, Kunsthalle Basel, Kunsthalle Bern, MAMCO Genève et au Museum of Modern Art de Varsovie.

Opening: Thursday 2 July, 18:00

25 July – 2 August

Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.

9 – 31 July

Inner Light is a Swiss artistic collective founded by Kim Coussée, Eliott Villars and Gaia Vincensini that works at the intersection of contemporary art, fashion and publishing. Their transdisciplinary practice combines printmaking, textile, sculpture and performance to question the circulation of printed images across unconventional supports. For this project they invited artist Lyna Azwaw to stage an edition inspired by documents and publications found in archives. The presentation includes performances and contributions by Js Donny, Rosalie Dubois and Leandro Russo.

Opening: Thursday 9 July, 20:00 – 22:00

Wednesday 29 July, 21:00

Led by the ensemble Canticum Novum, Samâ‑ï blends early music with Mediterranean and Near Eastern traditions to trace the layered history of Aleppo. Vocal textures and period and traditional instruments weave songs and modes that evoke a city of converging cultures—Byzantine, Arab, Ottoman, Armenian, Christian and Jewish—exploring memory, coexistence and passage. The performance favors attentive listening, offering intimate, richly textured soundscapes that bridge historical practice and living tradition.

29 – 31 July

Marlène Charpentié conjures a strange papier-mâché garden in this hybrid performance that mixes theatre, clown and dance. Three figures — an obsessed drag-king, a heartbroken diva vampire and a queer Pierrot who tends fading, reviving flowers — share the stage without words. Between absurd humour and a critique of capitalism, the piece plays out like a cracked cabaret where material is worked live: objects are handled, transformed and revealed in a visceral, intimate exchange with the audience.

In French.

20 May – 31 July

Genevan artist Gérald Grosjean presents a focused series of paintings and handcrafted maquettes that examine industrial and railway landscapes. The show gathers twenty-seven canvases and three models made from reclaimed materials, emphasising a pointillist approach to structures such as stations, bridges, dams, factories and viaducts. Through meticulous dots and assembled found objects, Grosjean explores the aesthetic presence and collective memory of infrastructure, inviting reflection on material reuse and the visual poetry of engineered landscapes.

Opening : Tuesday 19 May, 18:00

2 July – 27 August

Tobias Kaspar (né en 1984 à Bâle, Suisse) est un artiste vivant et travaillant entre Zurich et Riga, ainsi qu’à Mesocco (Suisse) et Salacgrīva (Lettonie), où il dirige The Estate, deux résidences d’artistes et espaces d’exposition. Depuis près de vingt ans, sa pratique multidisciplinaire explore les systèmes à travers lesquels la valeur culturelle, l’auteurité, l’ambition et la signification sont produites et diffusées. À travers la photographie, le textile, l’installation, l’édition, la mode et la conception d’expositions, Kaspar fait souvent des mécanismes de la production culturelle le sujet même de son travail. Son œuvre a été présentée dans de nombreuses institutions internationales, notamment à Artists Space, Hamburger Bahnhof, Kunsthalle Basel, Kunsthalle Bern, MAMCO Genève et au Museum of Modern Art de Varsovie.

Opening: Thursday 2 July, 18:00

25 July – 2 August

Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.

9 – 31 July

Inner Light is a Swiss artistic collective founded by Kim Coussée, Eliott Villars and Gaia Vincensini that works at the intersection of contemporary art, fashion and publishing. Their transdisciplinary practice combines printmaking, textile, sculpture and performance to question the circulation of printed images across unconventional supports. For this project they invited artist Lyna Azwaw to stage an edition inspired by documents and publications found in archives. The presentation includes performances and contributions by Js Donny, Rosalie Dubois and Leandro Russo.

Opening: Thursday 9 July, 20:00 – 22:00

Wednesday 29 July, 21:00

Led by the ensemble Canticum Novum, Samâ‑ï blends early music with Mediterranean and Near Eastern traditions to trace the layered history of Aleppo. Vocal textures and period and traditional instruments weave songs and modes that evoke a city of converging cultures—Byzantine, Arab, Ottoman, Armenian, Christian and Jewish—exploring memory, coexistence and passage. The performance favors attentive listening, offering intimate, richly textured soundscapes that bridge historical practice and living tradition.

29 – 31 July

Marlène Charpentié conjures a strange papier-mâché garden in this hybrid performance that mixes theatre, clown and dance. Three figures — an obsessed drag-king, a heartbroken diva vampire and a queer Pierrot who tends fading, reviving flowers — share the stage without words. Between absurd humour and a critique of capitalism, the piece plays out like a cracked cabaret where material is worked live: objects are handled, transformed and revealed in a visceral, intimate exchange with the audience.

In French.

20 May – 31 July

Genevan artist Gérald Grosjean presents a focused series of paintings and handcrafted maquettes that examine industrial and railway landscapes. The show gathers twenty-seven canvases and three models made from reclaimed materials, emphasising a pointillist approach to structures such as stations, bridges, dams, factories and viaducts. Through meticulous dots and assembled found objects, Grosjean explores the aesthetic presence and collective memory of infrastructure, inviting reflection on material reuse and the visual poetry of engineered landscapes.

Opening : Tuesday 19 May, 18:00

2 July – 27 August

Tobias Kaspar (né en 1984 à Bâle, Suisse) est un artiste vivant et travaillant entre Zurich et Riga, ainsi qu’à Mesocco (Suisse) et Salacgrīva (Lettonie), où il dirige The Estate, deux résidences d’artistes et espaces d’exposition. Depuis près de vingt ans, sa pratique multidisciplinaire explore les systèmes à travers lesquels la valeur culturelle, l’auteurité, l’ambition et la signification sont produites et diffusées. À travers la photographie, le textile, l’installation, l’édition, la mode et la conception d’expositions, Kaspar fait souvent des mécanismes de la production culturelle le sujet même de son travail. Son œuvre a été présentée dans de nombreuses institutions internationales, notamment à Artists Space, Hamburger Bahnhof, Kunsthalle Basel, Kunsthalle Bern, MAMCO Genève et au Museum of Modern Art de Varsovie.

Opening: Thursday 2 July, 18:00

Saturday 1 August, 18:00

Join neighbours for a warm community celebration of Switzerland’s National Day in Trois-Chêne. This inclusive gathering welcomes families, friends and newcomers to come together, share conversation, enjoy communal entertainment and participate in family-friendly activities. The event fosters connection and belonging, offering a relaxed space to meet others, celebrate local traditions and strengthen neighbourhood ties. Everyone is invited to take part and celebrate as a community.

Saturday 1 August, 21:30

An open-air stand-up evening presenting a sharp lineup of seven contemporary comedians: Thomas Wiesel, Marie de Brauer, Rémi Boyes, Audrey Baldassare, Myriam Baroukh and Kévin Eyer, with the eccentric Nadim as host. The programme moves through observational wit, political satire and character-driven sketches, balancing brisk pacing and intimate moments. Expect varied comic voices and daring material that plays with timing, stagecraft and audience rapport, offering a concentrated portrait of modern Swiss francophone humour.

In French.

Saturday 1 August, 16:00

La Rioule is an exuberant drag performance blending sharp comedy, bold costumes and live cabaret energy. Featuring queens Diamanda Callas, Lady Ricart, Royale Cattin and Moon, the show explores identity, parody and theatrical glamour through lip-sync, physical comedy and playful choreography. Expect dazzling costume moments, quick-witted personas and a communal party atmosphere that alternates between outrageous humour and tender gestures, inviting the audience into a colourful, performative world.

Saturday 1 August, 10:30

Celebrate with family, tasting warm, melty raclette and stepping into an immersive journey about how countries work together. Listen to stories, see vivid scenes, and feel the buzz of lively conversations. Kids will explore ideas of cooperation through playful activities, discover different cultures, and create memories with sensory moments — gooey cheese, bright colors, and cheerful sounds. The mix of food and discovery invites curiosity and shared laughter.

Kids of all ages.

Saturday 1 August, 10:00

This guided tour explores how the Reformation reshaped Switzerland’s cantons, examining regional stories from Zurich and Geneva to Basel and Neuchâtel. Through accounts of iconic figures and local anecdotes, it investigates the religious, political and social transformations of the 16th century. The session reveals how these changes structured cantonal identities and institutions, and discusses their enduring effects on contemporary Swiss society, culture and governance.

25 July – 2 August

Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.

25 July – 2 August

Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.

9 – 31 July

Inner Light is a Swiss artistic collective founded by Kim Coussée, Eliott Villars and Gaia Vincensini that works at the intersection of contemporary art, fashion and publishing. Their transdisciplinary practice combines printmaking, textile, sculpture and performance to question the circulation of printed images across unconventional supports. For this project they invited artist Lyna Azwaw to stage an edition inspired by documents and publications found in archives. The presentation includes performances and contributions by Js Donny, Rosalie Dubois and Leandro Russo.

Opening: Thursday 9 July, 20:00 – 22:00

Wednesday 29 July, 21:00

Led by the ensemble Canticum Novum, Samâ‑ï blends early music with Mediterranean and Near Eastern traditions to trace the layered history of Aleppo. Vocal textures and period and traditional instruments weave songs and modes that evoke a city of converging cultures—Byzantine, Arab, Ottoman, Armenian, Christian and Jewish—exploring memory, coexistence and passage. The performance favors attentive listening, offering intimate, richly textured soundscapes that bridge historical practice and living tradition.

29 – 31 July

Marlène Charpentié conjures a strange papier-mâché garden in this hybrid performance that mixes theatre, clown and dance. Three figures — an obsessed drag-king, a heartbroken diva vampire and a queer Pierrot who tends fading, reviving flowers — share the stage without words. Between absurd humour and a critique of capitalism, the piece plays out like a cracked cabaret where material is worked live: objects are handled, transformed and revealed in a visceral, intimate exchange with the audience.

In French.

20 May – 31 July

Genevan artist Gérald Grosjean presents a focused series of paintings and handcrafted maquettes that examine industrial and railway landscapes. The show gathers twenty-seven canvases and three models made from reclaimed materials, emphasising a pointillist approach to structures such as stations, bridges, dams, factories and viaducts. Through meticulous dots and assembled found objects, Grosjean explores the aesthetic presence and collective memory of infrastructure, inviting reflection on material reuse and the visual poetry of engineered landscapes.

Opening : Tuesday 19 May, 18:00

2 July – 27 August

Tobias Kaspar (né en 1984 à Bâle, Suisse) est un artiste vivant et travaillant entre Zurich et Riga, ainsi qu’à Mesocco (Suisse) et Salacgrīva (Lettonie), où il dirige The Estate, deux résidences d’artistes et espaces d’exposition. Depuis près de vingt ans, sa pratique multidisciplinaire explore les systèmes à travers lesquels la valeur culturelle, l’auteurité, l’ambition et la signification sont produites et diffusées. À travers la photographie, le textile, l’installation, l’édition, la mode et la conception d’expositions, Kaspar fait souvent des mécanismes de la production culturelle le sujet même de son travail. Son œuvre a été présentée dans de nombreuses institutions internationales, notamment à Artists Space, Hamburger Bahnhof, Kunsthalle Basel, Kunsthalle Bern, MAMCO Genève et au Museum of Modern Art de Varsovie.

Opening: Thursday 2 July, 18:00

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