Don’t just like it, live it!
Clem Wanderer offers an intimate, sunlit set blending guitar, piano and voice, moving between pop’s immediacy and folk’s gentle storytelling. His warm, nuanced delivery frames lyrical vignettes about longing and small joys, supported by sparse arrangements that leave space for melody and silence. Soft dynamics, close harmonies and organic instrumental textures create a relaxed, contemplative atmosphere that invites quiet reflection and communal warmth.
In French.
Serval (graffiti artist) and Kalonji (illustrator) present a collaborative practice that foregrounds exchange and creation in dialogue with existing artworks. Through drawing, layered surfaces and direct mark-making, they blur boundaries between street art and illustration, producing works that oscillate between improvisation and composition. The exhibition probes authorship, apprenticeship and public conversation, revealing how ephemeral gestures and graphic forms can reframe familiar images and provoke new modes of looking.
In French.
Presented by Allianz Cinéma, this summer’s open-air program stages cinematic evenings along the water. The selection favors intimate, atmospheric films—framed in long takes and textured nightlight—that unfold against the hush of waves and skyline. A gentle curation blends contemporary and classic titles, where communal viewing meets suspended terraces, a pop-up restaurant and relaxed lounges. The emphasis is on mood: tactile frames, warm night palettes and the social rhythms of shared attention, inviting contemplative and convivial cinema.
Accrochage d’été brings together selected works by Andrea Gabutti, Etienne Krähnembühl, Laurent de Pury and Jean‑Patrice Rozand. The presentation highlights recent investigations in painting, sculpture and mixed media, juxtaposing material textures and sculptural line. Through compact compositions and attention to process, the artists explore perception, the limits of representation and the tactile qualities of surfaces. The selection emphasizes subtle dialogues between form, colour and spatial tension.
Sylvia Sleigh’s retrospective pairs the artist’s figurative painting with ‘Refaire collection’, a polygraphic project offering a feminist rereading of art-history canons. Sleigh, a Welsh painter active in New York, is known for reversing gendered norms—placing the male nude where the female traditionally appears—and for portraits of the 1960s–70s New York art community. ‘Refaire collection’ gathers Swiss holdings and works by artists such as Louise Bourgeois, Meret Oppenheim, Pipilotti Rist, Joan Semmel and the Guerrilla Girls across painting, sculpture, video, drawing and photography.
Opening: 4 June 18:00
Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.
Opening: Thursday 16 July, 18:30
Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.
Clem Wanderer offers an intimate, sunlit set blending guitar, piano and voice, moving between pop’s immediacy and folk’s gentle storytelling. His warm, nuanced delivery frames lyrical vignettes about longing and small joys, supported by sparse arrangements that leave space for melody and silence. Soft dynamics, close harmonies and organic instrumental textures create a relaxed, contemplative atmosphere that invites quiet reflection and communal warmth.
In French.
Serval (graffiti artist) and Kalonji (illustrator) present a collaborative practice that foregrounds exchange and creation in dialogue with existing artworks. Through drawing, layered surfaces and direct mark-making, they blur boundaries between street art and illustration, producing works that oscillate between improvisation and composition. The exhibition probes authorship, apprenticeship and public conversation, revealing how ephemeral gestures and graphic forms can reframe familiar images and provoke new modes of looking.
In French.
Presented by Allianz Cinéma, this summer’s open-air program stages cinematic evenings along the water. The selection favors intimate, atmospheric films—framed in long takes and textured nightlight—that unfold against the hush of waves and skyline. A gentle curation blends contemporary and classic titles, where communal viewing meets suspended terraces, a pop-up restaurant and relaxed lounges. The emphasis is on mood: tactile frames, warm night palettes and the social rhythms of shared attention, inviting contemplative and convivial cinema.
Accrochage d’été brings together selected works by Andrea Gabutti, Etienne Krähnembühl, Laurent de Pury and Jean‑Patrice Rozand. The presentation highlights recent investigations in painting, sculpture and mixed media, juxtaposing material textures and sculptural line. Through compact compositions and attention to process, the artists explore perception, the limits of representation and the tactile qualities of surfaces. The selection emphasizes subtle dialogues between form, colour and spatial tension.
Sylvia Sleigh’s retrospective pairs the artist’s figurative painting with ‘Refaire collection’, a polygraphic project offering a feminist rereading of art-history canons. Sleigh, a Welsh painter active in New York, is known for reversing gendered norms—placing the male nude where the female traditionally appears—and for portraits of the 1960s–70s New York art community. ‘Refaire collection’ gathers Swiss holdings and works by artists such as Louise Bourgeois, Meret Oppenheim, Pipilotti Rist, Joan Semmel and the Guerrilla Girls across painting, sculpture, video, drawing and photography.
Opening: 4 June 18:00
Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.
Opening: Thursday 16 July, 18:30
Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.
Clem Wanderer offers an intimate, sunlit set blending guitar, piano and voice, moving between pop’s immediacy and folk’s gentle storytelling. His warm, nuanced delivery frames lyrical vignettes about longing and small joys, supported by sparse arrangements that leave space for melody and silence. Soft dynamics, close harmonies and organic instrumental textures create a relaxed, contemplative atmosphere that invites quiet reflection and communal warmth.
In French.
Serval (graffiti artist) and Kalonji (illustrator) present a collaborative practice that foregrounds exchange and creation in dialogue with existing artworks. Through drawing, layered surfaces and direct mark-making, they blur boundaries between street art and illustration, producing works that oscillate between improvisation and composition. The exhibition probes authorship, apprenticeship and public conversation, revealing how ephemeral gestures and graphic forms can reframe familiar images and provoke new modes of looking.
In French.
Presented by Allianz Cinéma, this summer’s open-air program stages cinematic evenings along the water. The selection favors intimate, atmospheric films—framed in long takes and textured nightlight—that unfold against the hush of waves and skyline. A gentle curation blends contemporary and classic titles, where communal viewing meets suspended terraces, a pop-up restaurant and relaxed lounges. The emphasis is on mood: tactile frames, warm night palettes and the social rhythms of shared attention, inviting contemplative and convivial cinema.
Accrochage d’été brings together selected works by Andrea Gabutti, Etienne Krähnembühl, Laurent de Pury and Jean‑Patrice Rozand. The presentation highlights recent investigations in painting, sculpture and mixed media, juxtaposing material textures and sculptural line. Through compact compositions and attention to process, the artists explore perception, the limits of representation and the tactile qualities of surfaces. The selection emphasizes subtle dialogues between form, colour and spatial tension.
Sylvia Sleigh’s retrospective pairs the artist’s figurative painting with ‘Refaire collection’, a polygraphic project offering a feminist rereading of art-history canons. Sleigh, a Welsh painter active in New York, is known for reversing gendered norms—placing the male nude where the female traditionally appears—and for portraits of the 1960s–70s New York art community. ‘Refaire collection’ gathers Swiss holdings and works by artists such as Louise Bourgeois, Meret Oppenheim, Pipilotti Rist, Joan Semmel and the Guerrilla Girls across painting, sculpture, video, drawing and photography.
Opening: 4 June 18:00
Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.
Opening: Thursday 16 July, 18:30
Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.
Clem Wanderer offers an intimate, sunlit set blending guitar, piano and voice, moving between pop’s immediacy and folk’s gentle storytelling. His warm, nuanced delivery frames lyrical vignettes about longing and small joys, supported by sparse arrangements that leave space for melody and silence. Soft dynamics, close harmonies and organic instrumental textures create a relaxed, contemplative atmosphere that invites quiet reflection and communal warmth.
In French.
Serval (graffiti artist) and Kalonji (illustrator) present a collaborative practice that foregrounds exchange and creation in dialogue with existing artworks. Through drawing, layered surfaces and direct mark-making, they blur boundaries between street art and illustration, producing works that oscillate between improvisation and composition. The exhibition probes authorship, apprenticeship and public conversation, revealing how ephemeral gestures and graphic forms can reframe familiar images and provoke new modes of looking.
In French.
Presented by Allianz Cinéma, this summer’s open-air program stages cinematic evenings along the water. The selection favors intimate, atmospheric films—framed in long takes and textured nightlight—that unfold against the hush of waves and skyline. A gentle curation blends contemporary and classic titles, where communal viewing meets suspended terraces, a pop-up restaurant and relaxed lounges. The emphasis is on mood: tactile frames, warm night palettes and the social rhythms of shared attention, inviting contemplative and convivial cinema.
Accrochage d’été brings together selected works by Andrea Gabutti, Etienne Krähnembühl, Laurent de Pury and Jean‑Patrice Rozand. The presentation highlights recent investigations in painting, sculpture and mixed media, juxtaposing material textures and sculptural line. Through compact compositions and attention to process, the artists explore perception, the limits of representation and the tactile qualities of surfaces. The selection emphasizes subtle dialogues between form, colour and spatial tension.
Sylvia Sleigh’s retrospective pairs the artist’s figurative painting with ‘Refaire collection’, a polygraphic project offering a feminist rereading of art-history canons. Sleigh, a Welsh painter active in New York, is known for reversing gendered norms—placing the male nude where the female traditionally appears—and for portraits of the 1960s–70s New York art community. ‘Refaire collection’ gathers Swiss holdings and works by artists such as Louise Bourgeois, Meret Oppenheim, Pipilotti Rist, Joan Semmel and the Guerrilla Girls across painting, sculpture, video, drawing and photography.
Opening: 4 June 18:00
Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.
Opening: Thursday 16 July, 18:30
Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.
Clem Wanderer offers an intimate, sunlit set blending guitar, piano and voice, moving between pop’s immediacy and folk’s gentle storytelling. His warm, nuanced delivery frames lyrical vignettes about longing and small joys, supported by sparse arrangements that leave space for melody and silence. Soft dynamics, close harmonies and organic instrumental textures create a relaxed, contemplative atmosphere that invites quiet reflection and communal warmth.
In French.
Serval (graffiti artist) and Kalonji (illustrator) present a collaborative practice that foregrounds exchange and creation in dialogue with existing artworks. Through drawing, layered surfaces and direct mark-making, they blur boundaries between street art and illustration, producing works that oscillate between improvisation and composition. The exhibition probes authorship, apprenticeship and public conversation, revealing how ephemeral gestures and graphic forms can reframe familiar images and provoke new modes of looking.
In French.
Presented by Allianz Cinéma, this summer’s open-air program stages cinematic evenings along the water. The selection favors intimate, atmospheric films—framed in long takes and textured nightlight—that unfold against the hush of waves and skyline. A gentle curation blends contemporary and classic titles, where communal viewing meets suspended terraces, a pop-up restaurant and relaxed lounges. The emphasis is on mood: tactile frames, warm night palettes and the social rhythms of shared attention, inviting contemplative and convivial cinema.
Accrochage d’été brings together selected works by Andrea Gabutti, Etienne Krähnembühl, Laurent de Pury and Jean‑Patrice Rozand. The presentation highlights recent investigations in painting, sculpture and mixed media, juxtaposing material textures and sculptural line. Through compact compositions and attention to process, the artists explore perception, the limits of representation and the tactile qualities of surfaces. The selection emphasizes subtle dialogues between form, colour and spatial tension.
Sylvia Sleigh’s retrospective pairs the artist’s figurative painting with ‘Refaire collection’, a polygraphic project offering a feminist rereading of art-history canons. Sleigh, a Welsh painter active in New York, is known for reversing gendered norms—placing the male nude where the female traditionally appears—and for portraits of the 1960s–70s New York art community. ‘Refaire collection’ gathers Swiss holdings and works by artists such as Louise Bourgeois, Meret Oppenheim, Pipilotti Rist, Joan Semmel and the Guerrilla Girls across painting, sculpture, video, drawing and photography.
Opening: 4 June 18:00
Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.
Opening: Thursday 16 July, 18:30
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Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
Located in the heart of Geneva’s international district, the Portail des Nations is a space dedicated to dialogue, cooperation, and global issues. Through exhibitions, talks, and cultural events, it offers visitors an entry point into the major challenges shaping our world and Geneva’s role as a hub for international governance.
Nestled in the Geneva countryside, the Collection du Crest showcases a remarkable selection of modern and contemporary art. Through temporary exhibitions and its private collection, this unique venue offers an intimate encounter with artistic creation, in dialogue with the history and landscape of the estate.
Discover one of the world’s most remarkable libraries and museums, home to an exceptional collection of manuscripts, rare books, and historical documents spanning over 5,000 years of human history. Located in Cologny overlooking Lake Geneva, the Fondation Martin Bodmer offers a unique journey through literature, philosophy, religion, science, and the arts, bringing together some of humanity’s most significant written treasures.
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