Don’t just like it, live it!

6 – 15 March

As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.

In French.

Sunday 15 March, 14:00

For the finissage of teh exhibition Almost Tender, Christian Schulz will lead a poetic reading through the exhibition spaces of the Ferme de la Chapelle. In a guided drift lasting around fifteen minutes — from the attic to the ruins of the former chapel outside — visitors will follow a moving reading of a poem on time and rhythm, extending the exhibition’s sound composition. Written and performed in English, Schulz’s native language, the piece echoes the oral tradition of the Beat Generation, where voice, breath and rhythm carry thought through space.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

4 – 15 March

Two performers play a mischievous game between bodies and shadows. Shadows break free from their models, change shape, defy physics, and perform surprising tricks. Bodies become shadows and shadows take form; performers appear and vanish. With three white sheets, a few objects and flashlight melodies, children are invited into a whimsical world of light, movement and music where imagination takes flight.

Kids ages 4 and up.

3 – 15 March

Revived by director Ninon Fachard after the original staging by Véronique Ros de la Grange, this solo piece stars Jacques Michel with Caroline Gasser as the prompter. Lighting by Rinaldo Del Boca and music by Alain Lamarche carve intimate, shadowed spaces around a red sequined curtain. Makeup by Natalia Lepianka and costumes by Emilie Revel shape the fading glamour of a music‑hall star who soliloquises, recalls past glory and loss, and sings in playback—an inward plunge toward memory and survival.

In French.

14 & 15 March

A powerful operatic diptych directed by Stéphane Ghislain Roussel, in partnership with the Grand Théâtre de Genève, L’Empereur d’Atlantis, preceded by En vertu de…, unfolds across two iconic venues in one evening.

The first part, staged at the UN, explores contemporary democratic fragilities through Eugene Birman’s modern work, before the audience moves to the Comédie de Genève for Viktor Ullmann’s haunting chamber opera composed in a concentration camp during WWII—a dark, ironic fable on tyranny, death, and the madness of absolute power.

In French, English & German with surtitles in French and English.

6 – 15 March

As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.

In French.

Sunday 15 March, 14:00

For the finissage of teh exhibition Almost Tender, Christian Schulz will lead a poetic reading through the exhibition spaces of the Ferme de la Chapelle. In a guided drift lasting around fifteen minutes — from the attic to the ruins of the former chapel outside — visitors will follow a moving reading of a poem on time and rhythm, extending the exhibition’s sound composition. Written and performed in English, Schulz’s native language, the piece echoes the oral tradition of the Beat Generation, where voice, breath and rhythm carry thought through space.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

4 – 15 March

Two performers play a mischievous game between bodies and shadows. Shadows break free from their models, change shape, defy physics, and perform surprising tricks. Bodies become shadows and shadows take form; performers appear and vanish. With three white sheets, a few objects and flashlight melodies, children are invited into a whimsical world of light, movement and music where imagination takes flight.

Kids ages 4 and up.

3 – 15 March

Revived by director Ninon Fachard after the original staging by Véronique Ros de la Grange, this solo piece stars Jacques Michel with Caroline Gasser as the prompter. Lighting by Rinaldo Del Boca and music by Alain Lamarche carve intimate, shadowed spaces around a red sequined curtain. Makeup by Natalia Lepianka and costumes by Emilie Revel shape the fading glamour of a music‑hall star who soliloquises, recalls past glory and loss, and sings in playback—an inward plunge toward memory and survival.

In French.

14 & 15 March

A powerful operatic diptych directed by Stéphane Ghislain Roussel, in partnership with the Grand Théâtre de Genève, L’Empereur d’Atlantis, preceded by En vertu de…, unfolds across two iconic venues in one evening.

The first part, staged at the UN, explores contemporary democratic fragilities through Eugene Birman’s modern work, before the audience moves to the Comédie de Genève for Viktor Ullmann’s haunting chamber opera composed in a concentration camp during WWII—a dark, ironic fable on tyranny, death, and the madness of absolute power.

In French, English & German with surtitles in French and English.

6 – 15 March

As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.

In French.

Sunday 15 March, 14:00

For the finissage of teh exhibition Almost Tender, Christian Schulz will lead a poetic reading through the exhibition spaces of the Ferme de la Chapelle. In a guided drift lasting around fifteen minutes — from the attic to the ruins of the former chapel outside — visitors will follow a moving reading of a poem on time and rhythm, extending the exhibition’s sound composition. Written and performed in English, Schulz’s native language, the piece echoes the oral tradition of the Beat Generation, where voice, breath and rhythm carry thought through space.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

4 – 15 March

Two performers play a mischievous game between bodies and shadows. Shadows break free from their models, change shape, defy physics, and perform surprising tricks. Bodies become shadows and shadows take form; performers appear and vanish. With three white sheets, a few objects and flashlight melodies, children are invited into a whimsical world of light, movement and music where imagination takes flight.

Kids ages 4 and up.

3 – 15 March

Revived by director Ninon Fachard after the original staging by Véronique Ros de la Grange, this solo piece stars Jacques Michel with Caroline Gasser as the prompter. Lighting by Rinaldo Del Boca and music by Alain Lamarche carve intimate, shadowed spaces around a red sequined curtain. Makeup by Natalia Lepianka and costumes by Emilie Revel shape the fading glamour of a music‑hall star who soliloquises, recalls past glory and loss, and sings in playback—an inward plunge toward memory and survival.

In French.

14 & 15 March

A powerful operatic diptych directed by Stéphane Ghislain Roussel, in partnership with the Grand Théâtre de Genève, L’Empereur d’Atlantis, preceded by En vertu de…, unfolds across two iconic venues in one evening.

The first part, staged at the UN, explores contemporary democratic fragilities through Eugene Birman’s modern work, before the audience moves to the Comédie de Genève for Viktor Ullmann’s haunting chamber opera composed in a concentration camp during WWII—a dark, ironic fable on tyranny, death, and the madness of absolute power.

In French, English & German with surtitles in French and English.

6 – 15 March

As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.

In French.

Sunday 15 March, 14:00

For the finissage of teh exhibition Almost Tender, Christian Schulz will lead a poetic reading through the exhibition spaces of the Ferme de la Chapelle. In a guided drift lasting around fifteen minutes — from the attic to the ruins of the former chapel outside — visitors will follow a moving reading of a poem on time and rhythm, extending the exhibition’s sound composition. Written and performed in English, Schulz’s native language, the piece echoes the oral tradition of the Beat Generation, where voice, breath and rhythm carry thought through space.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

4 – 15 March

Two performers play a mischievous game between bodies and shadows. Shadows break free from their models, change shape, defy physics, and perform surprising tricks. Bodies become shadows and shadows take form; performers appear and vanish. With three white sheets, a few objects and flashlight melodies, children are invited into a whimsical world of light, movement and music where imagination takes flight.

Kids ages 4 and up.

3 – 15 March

Revived by director Ninon Fachard after the original staging by Véronique Ros de la Grange, this solo piece stars Jacques Michel with Caroline Gasser as the prompter. Lighting by Rinaldo Del Boca and music by Alain Lamarche carve intimate, shadowed spaces around a red sequined curtain. Makeup by Natalia Lepianka and costumes by Emilie Revel shape the fading glamour of a music‑hall star who soliloquises, recalls past glory and loss, and sings in playback—an inward plunge toward memory and survival.

In French.

14 & 15 March

A powerful operatic diptych directed by Stéphane Ghislain Roussel, in partnership with the Grand Théâtre de Genève, L’Empereur d’Atlantis, preceded by En vertu de…, unfolds across two iconic venues in one evening.

The first part, staged at the UN, explores contemporary democratic fragilities through Eugene Birman’s modern work, before the audience moves to the Comédie de Genève for Viktor Ullmann’s haunting chamber opera composed in a concentration camp during WWII—a dark, ironic fable on tyranny, death, and the madness of absolute power.

In French, English & German with surtitles in French and English.

6 – 15 March

As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.

In French.

Sunday 15 March, 14:00

For the finissage of teh exhibition Almost Tender, Christian Schulz will lead a poetic reading through the exhibition spaces of the Ferme de la Chapelle. In a guided drift lasting around fifteen minutes — from the attic to the ruins of the former chapel outside — visitors will follow a moving reading of a poem on time and rhythm, extending the exhibition’s sound composition. Written and performed in English, Schulz’s native language, the piece echoes the oral tradition of the Beat Generation, where voice, breath and rhythm carry thought through space.

In French.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

4 – 15 March

Two performers play a mischievous game between bodies and shadows. Shadows break free from their models, change shape, defy physics, and perform surprising tricks. Bodies become shadows and shadows take form; performers appear and vanish. With three white sheets, a few objects and flashlight melodies, children are invited into a whimsical world of light, movement and music where imagination takes flight.

Kids ages 4 and up.

3 – 15 March

Revived by director Ninon Fachard after the original staging by Véronique Ros de la Grange, this solo piece stars Jacques Michel with Caroline Gasser as the prompter. Lighting by Rinaldo Del Boca and music by Alain Lamarche carve intimate, shadowed spaces around a red sequined curtain. Makeup by Natalia Lepianka and costumes by Emilie Revel shape the fading glamour of a music‑hall star who soliloquises, recalls past glory and loss, and sings in playback—an inward plunge toward memory and survival.

In French.

14 & 15 March

A powerful operatic diptych directed by Stéphane Ghislain Roussel, in partnership with the Grand Théâtre de Genève, L’Empereur d’Atlantis, preceded by En vertu de…, unfolds across two iconic venues in one evening.

The first part, staged at the UN, explores contemporary democratic fragilities through Eugene Birman’s modern work, before the audience moves to the Comédie de Genève for Viktor Ullmann’s haunting chamber opera composed in a concentration camp during WWII—a dark, ironic fable on tyranny, death, and the madness of absolute power.

In French, English & German with surtitles in French and English.

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CoolBytes

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Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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