Don’t just like it, live it!
An intimate documentary portrait presented in homage to actor Boubacar Samb, Cinque uomini, un diario. Al di là della scena explores the craft of acting through raw, spontaneous footage filmed in 2008 behind the scenes of a production in which five performers portray clandestine migrants. The camera lingers on gestures, rehearsals and quiet moments, revealing the labor, vulnerability and companionship that shape performance. A reflective, cinéma vérité study, the film balances observational immediacy with a tender, humanistic gaze.
In French. Screening followed by a discussion with actors Antonio Buil and Bartek Sozanski. In collaboration with the Geneva Theatre Festival.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Performed by actress Carole Epiney and classical guitarist Carl Alex, this poetic reading traces the night as an intimate, mysterious landscape. Selections from Emily Brontë, Rainer Maria Rilke, Charles Baudelaire, Alphonse de Lamartine and Renée Vivien unfold between spoken word and guitar, alternating melancholy, contemplation and quiet longing. Brief newly written fragments weave the poems into a continuous arc, while the pared-back musical accompaniment envelops the voice in a soft, reflective atmosphere.
In French.
Emma Lamadji channels the spirit of Bob Marley in a luminous musical tribute that revisits the Jamaican legend’s most enduring songs — No Woman No Cry, Redemption Song and One Love. Her warm, expressive voice and subtle arrangements bring fresh emotional depth to familiar melodies, blending reverence and personal interpretation. The programme highlights themes of resilience, hope and unity, delivered with intimate staging and a focus on vocal expression.
Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.
In French.
Music and songs by Stephen Sondheim with a libretto by George Furth and a French translation by Stéphane Laporte. This intimate, razor-sharp musical follows Robert (Bobby), a charming New Yorker confronting bachelorhood, friendship and the compromises of coupledom. The production blends incisive lyrics, lively choreography and a close ensemble cast to reveal joyful neuroses, hidden desires and fragile bonds. The staging alternates warmth and irony, inviting reflection on love, loneliness and the elusive art of staying together.
Sung in English; dialogues in French.
An intimate documentary portrait presented in homage to actor Boubacar Samb, Cinque uomini, un diario. Al di là della scena explores the craft of acting through raw, spontaneous footage filmed in 2008 behind the scenes of a production in which five performers portray clandestine migrants. The camera lingers on gestures, rehearsals and quiet moments, revealing the labor, vulnerability and companionship that shape performance. A reflective, cinéma vérité study, the film balances observational immediacy with a tender, humanistic gaze.
In French. Screening followed by a discussion with actors Antonio Buil and Bartek Sozanski. In collaboration with the Geneva Theatre Festival.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Performed by actress Carole Epiney and classical guitarist Carl Alex, this poetic reading traces the night as an intimate, mysterious landscape. Selections from Emily Brontë, Rainer Maria Rilke, Charles Baudelaire, Alphonse de Lamartine and Renée Vivien unfold between spoken word and guitar, alternating melancholy, contemplation and quiet longing. Brief newly written fragments weave the poems into a continuous arc, while the pared-back musical accompaniment envelops the voice in a soft, reflective atmosphere.
In French.
Emma Lamadji channels the spirit of Bob Marley in a luminous musical tribute that revisits the Jamaican legend’s most enduring songs — No Woman No Cry, Redemption Song and One Love. Her warm, expressive voice and subtle arrangements bring fresh emotional depth to familiar melodies, blending reverence and personal interpretation. The programme highlights themes of resilience, hope and unity, delivered with intimate staging and a focus on vocal expression.
Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.
In French.
Music and songs by Stephen Sondheim with a libretto by George Furth and a French translation by Stéphane Laporte. This intimate, razor-sharp musical follows Robert (Bobby), a charming New Yorker confronting bachelorhood, friendship and the compromises of coupledom. The production blends incisive lyrics, lively choreography and a close ensemble cast to reveal joyful neuroses, hidden desires and fragile bonds. The staging alternates warmth and irony, inviting reflection on love, loneliness and the elusive art of staying together.
Sung in English; dialogues in French.
An intimate documentary portrait presented in homage to actor Boubacar Samb, Cinque uomini, un diario. Al di là della scena explores the craft of acting through raw, spontaneous footage filmed in 2008 behind the scenes of a production in which five performers portray clandestine migrants. The camera lingers on gestures, rehearsals and quiet moments, revealing the labor, vulnerability and companionship that shape performance. A reflective, cinéma vérité study, the film balances observational immediacy with a tender, humanistic gaze.
In French. Screening followed by a discussion with actors Antonio Buil and Bartek Sozanski. In collaboration with the Geneva Theatre Festival.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Performed by actress Carole Epiney and classical guitarist Carl Alex, this poetic reading traces the night as an intimate, mysterious landscape. Selections from Emily Brontë, Rainer Maria Rilke, Charles Baudelaire, Alphonse de Lamartine and Renée Vivien unfold between spoken word and guitar, alternating melancholy, contemplation and quiet longing. Brief newly written fragments weave the poems into a continuous arc, while the pared-back musical accompaniment envelops the voice in a soft, reflective atmosphere.
In French.
Emma Lamadji channels the spirit of Bob Marley in a luminous musical tribute that revisits the Jamaican legend’s most enduring songs — No Woman No Cry, Redemption Song and One Love. Her warm, expressive voice and subtle arrangements bring fresh emotional depth to familiar melodies, blending reverence and personal interpretation. The programme highlights themes of resilience, hope and unity, delivered with intimate staging and a focus on vocal expression.
Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.
In French.
This lecture explores musical composition for silent cinema, focusing on director and actress Musidora and the interpretive role of music in early film. Film-music specialists examine how scores are created, how motifs evoke emotion and support narrative, and the creative choices behind synchronising live sound with images. The session combines live performance, film excerpts and moderated discussion to reveal practical techniques and historical perspectives on scoring silent-era films.
Led by composer-conductor Martin Palmeri, this performance of his Misatango gathers a large amateur choir, soloist Céline Rimet, pianist Valentine Mercier, bandoneonist Jérémy Vannereau and the William Garcin string orchestra. The music blends liturgical severity and tango rhythms, creating tense, tender passages that shift from intimate whispers to surging climaxes. The evening frames a communal gesture of solidarity, using the power of voice and ensemble color to evoke compassion and resilience.
Animatou is the leading animation film festival in French-speaking Switzerland, dedicated to showcasing the best of contemporary animated cinema and championing bold, author-driven works that rarely find space in traditional theatres. Both locally rooted and internationally recognised, the festival brings together generations, cultures and sensibilities through a rich programme of competitive short films, special screenings, feature films, retrospectives, workshops and masterclasses. With a strong commitment to education and year-round activities for schools and the wider public, Animatou has become a key platform for animation in Geneva and beyond.
Presented by La Boîte à Musique, this concert offers an intimate programme exploring timbral color and chamber textures. The performance favors nuanced dynamics and close listening, with emphasis on dialogue between instruments and finely shaped phrasing. Soundscapes alternate between lyrical introspection and spirited interplay, inviting attentive immersion in the repertoire. Staging is spare and focused on musical detail, privileging acoustic clarity and expressive nuance.
Booking: reservations@la-boite-a-musique.ch
An annual mediation project, Fête du Théâtre gathers Geneva’s community around the performing arts, showcasing contemporary and classical theatre, street spectacles, youth shows, circus and magic alongside workshops and encounters. The programme favours collaborative, colourful staging and experimental approaches, blending professional and amateur practices. Its varied formats create lively, tactile atmospheres where humour, wonder and social exchange meet, highlighting regional artistic daring and long-standing partnerships with local cultural institutions and associations.
Ségolène Romier revisits her practice as a filmmaker while opening a new chapter that foregrounds drawing and material experimentation. Her films, presented across a cluster of televisions, form a living retrospective populated by characters, objects and bodies. Drawing, long confined to sculptural preparation, moves to the fore on cardboard, producing fragmented forms and a kaleidoscopic self‑portrait in which the body appears in pieces between representation and disappearance. The exhibition contemplates passage, creative continuity and the shifting modalities of image and object.
Opening: Wednesday 30 September, 18:00
Closing: Sunday 11 October, 17:00
Leonardo García-Alarcón leads Cappella Mediterranea in a visionary reimagining of Jean-Philippe Rameau’s Les Indes galantes, while choreographer Bintou Dembélé stages a virtuosic, urban-inflected choreography that dialogues with baroque heritage. The production juxtaposes sumptuous orchestral writing and a contemporary scenic universe to explore identity, representation and cultural legacy. Vocal and choral forces, including the Chœur de Chambre de Namur, animate a rich dramaturgy that balances historical splendour and probing modern perspectives.
In French.
Music and songs by Stephen Sondheim with a libretto by George Furth and a French translation by Stéphane Laporte. This intimate, razor-sharp musical follows Robert (Bobby), a charming New Yorker confronting bachelorhood, friendship and the compromises of coupledom. The production blends incisive lyrics, lively choreography and a close ensemble cast to reveal joyful neuroses, hidden desires and fragile bonds. The staging alternates warmth and irony, inviting reflection on love, loneliness and the elusive art of staying together.
Sung in English; dialogues in French.
An intimate documentary portrait presented in homage to actor Boubacar Samb, Cinque uomini, un diario. Al di là della scena explores the craft of acting through raw, spontaneous footage filmed in 2008 behind the scenes of a production in which five performers portray clandestine migrants. The camera lingers on gestures, rehearsals and quiet moments, revealing the labor, vulnerability and companionship that shape performance. A reflective, cinéma vérité study, the film balances observational immediacy with a tender, humanistic gaze.
In French. Screening followed by a discussion with actors Antonio Buil and Bartek Sozanski. In collaboration with the Geneva Theatre Festival.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Performed by actress Carole Epiney and classical guitarist Carl Alex, this poetic reading traces the night as an intimate, mysterious landscape. Selections from Emily Brontë, Rainer Maria Rilke, Charles Baudelaire, Alphonse de Lamartine and Renée Vivien unfold between spoken word and guitar, alternating melancholy, contemplation and quiet longing. Brief newly written fragments weave the poems into a continuous arc, while the pared-back musical accompaniment envelops the voice in a soft, reflective atmosphere.
In French.
Emma Lamadji channels the spirit of Bob Marley in a luminous musical tribute that revisits the Jamaican legend’s most enduring songs — No Woman No Cry, Redemption Song and One Love. Her warm, expressive voice and subtle arrangements bring fresh emotional depth to familiar melodies, blending reverence and personal interpretation. The programme highlights themes of resilience, hope and unity, delivered with intimate staging and a focus on vocal expression.
Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.
In French.
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Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
An intimate museum in the heart of Geneva, the Musée Tatiana Zoubov presents the refined collection assembled by its namesake collector. Paintings, furniture, porcelain, silverware and decorative objects evoke the atmosphere of a private European collection, offering a glimpse into the tastes and art of living of another era.
In the heart of Geneva’s Old Town, the International Museum of the Reformation traces the history and legacy of the Protestant Reformation from the 16th century to the present day. Historical objects, artworks and immersive displays explore a movement that profoundly shaped Geneva and influenced societies around the world.
Located in the historic heart of Carouge, the Musée de Carouge explores the artistic and cultural heritage of this distinctive town. Its collections and temporary exhibitions bring together fine and decorative arts, local history and contemporary creation, reflecting Carouge’s unique identity and creative spirit.
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