Don’t just like it, live it!

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

7 – 19 April

Eric Eriston Winarto presents a body of small oil paintings that treat the Swiss landscape as memory and pictorial research. Executed largely in A4 format, these fragmentary paintings—hills veiled in smoke, metallic roads, nocturnal scenes with phantom headlights, bluish forests—oscillate between observation and abstraction. Drawing on the legacy of Turner and Hodler, Winarto probes perception, tension and balance, using controlled yet enigmatic brushwork to suggest storms, glaciers and mist. The project questions how intimate, poetic images emerge from fleeting atmospheric states.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

19 September 2025 – 4 October 2026

The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

7 – 19 April

Eric Eriston Winarto presents a body of small oil paintings that treat the Swiss landscape as memory and pictorial research. Executed largely in A4 format, these fragmentary paintings—hills veiled in smoke, metallic roads, nocturnal scenes with phantom headlights, bluish forests—oscillate between observation and abstraction. Drawing on the legacy of Turner and Hodler, Winarto probes perception, tension and balance, using controlled yet enigmatic brushwork to suggest storms, glaciers and mist. The project questions how intimate, poetic images emerge from fleeting atmospheric states.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

19 September 2025 – 4 October 2026

The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

7 – 19 April

Eric Eriston Winarto presents a body of small oil paintings that treat the Swiss landscape as memory and pictorial research. Executed largely in A4 format, these fragmentary paintings—hills veiled in smoke, metallic roads, nocturnal scenes with phantom headlights, bluish forests—oscillate between observation and abstraction. Drawing on the legacy of Turner and Hodler, Winarto probes perception, tension and balance, using controlled yet enigmatic brushwork to suggest storms, glaciers and mist. The project questions how intimate, poetic images emerge from fleeting atmospheric states.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

19 September 2025 – 4 October 2026

The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

7 – 19 April

Eric Eriston Winarto presents a body of small oil paintings that treat the Swiss landscape as memory and pictorial research. Executed largely in A4 format, these fragmentary paintings—hills veiled in smoke, metallic roads, nocturnal scenes with phantom headlights, bluish forests—oscillate between observation and abstraction. Drawing on the legacy of Turner and Hodler, Winarto probes perception, tension and balance, using controlled yet enigmatic brushwork to suggest storms, glaciers and mist. The project questions how intimate, poetic images emerge from fleeting atmospheric states.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

19 September 2025 – 4 October 2026

The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

7 – 19 April

Eric Eriston Winarto presents a body of small oil paintings that treat the Swiss landscape as memory and pictorial research. Executed largely in A4 format, these fragmentary paintings—hills veiled in smoke, metallic roads, nocturnal scenes with phantom headlights, bluish forests—oscillate between observation and abstraction. Drawing on the legacy of Turner and Hodler, Winarto probes perception, tension and balance, using controlled yet enigmatic brushwork to suggest storms, glaciers and mist. The project questions how intimate, poetic images emerge from fleeting atmospheric states.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

19 September 2025 – 4 October 2026

The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.
Geneva gave the world the Red Cross, the United Nations, and — as it turns out — the modern comic strip. It's a part of the city's identity that often gets overlooked, but from a 19th-century teacher sketching picture stories by the lake to a new comics museum opening in the works, Geneva's relationship with the ninth art is deeper and more alive than most people realize.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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