Don’t just like it, live it!

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

20 – 27 May

Imagine and explore a tiny world of rustling leaves and soft paw prints. Guided stories and gentle prompts invite little ones to listen, touch, and follow colorful animal tracks. Children will smell damp earth, hear birdsong, and peer at playful shapes while discovering forest habits through movement and sound. Activities encourage curiosity, language, and cozy sharing with an adult companion. The pace is calm, bright, and full of small surprises.

Dates :
Wednesday 20 May, 10:30, 14:30, 15:30
Friday 22 May, 10:30
Wednesday 27 May, 10:30

In French. Kids ages 3–5.

Wednesday 20 May, 18:30

Formed in 2017 and based in Geneva, The Molitors are an alternative rock/indie quartet whose songs draw on influences from Nick Cave, The Smiths, Leonard Cohen, Pink Floyd and Nick Drake. Their original compositions explore dystopia, solitude, love and hope, balanced between brooding ballads and expansive, guitar-driven textures. Fronted by David Powell (vocals, guitar) with Sébastien Gabriel (bass), Anthony Weber (guitar) and Sébastien Steinmann (drums, piano), the band’s recent album deepens their atmospheric, melancholic sound.

19 – 28 May

Le retour, conceived and performed by Marion Duval and staged by the Chris Cadillac company, blends theatre, clowning and performance. Marion Duval leads a large ensemble including AzuXenia, Adina Secretan and Aram Xwindar, supported by a collaborative creative team. The piece confronts antagonism between species and the collapse of capitalist systems through participatory, physical and often humorous scenes. Sparse, visceral staging and communal moments invite reflection on coexistence and collective responsibility.

In French.

Wednesday 20 May, 20:00

Led by Ensemble Temenos, this programme reunites trio sonatas, suites of symphonies, a flute sonata and organ pieces by Antoine Dornel. The ensemble, with Alice Julien-Laferrière (violin) and Karel Valter (traverso), explores the refined elegance and inventive balance of late 17th–early 18th‑century French style. The music unfolds through measured dances, ornate ornamentation and lyrical Italianate contrasts, revealing melodic suppleness, intimate dialogues and rich harmonic clarity. The performance aims for transparent textures and poetic expression, inviting attentive listening to a seldom-heard repertoire.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

20 – 27 May

Imagine and explore a tiny world of rustling leaves and soft paw prints. Guided stories and gentle prompts invite little ones to listen, touch, and follow colorful animal tracks. Children will smell damp earth, hear birdsong, and peer at playful shapes while discovering forest habits through movement and sound. Activities encourage curiosity, language, and cozy sharing with an adult companion. The pace is calm, bright, and full of small surprises.

Dates :
Wednesday 20 May, 10:30, 14:30, 15:30
Friday 22 May, 10:30
Wednesday 27 May, 10:30

In French. Kids ages 3–5.

Wednesday 20 May, 18:30

Formed in 2017 and based in Geneva, The Molitors are an alternative rock/indie quartet whose songs draw on influences from Nick Cave, The Smiths, Leonard Cohen, Pink Floyd and Nick Drake. Their original compositions explore dystopia, solitude, love and hope, balanced between brooding ballads and expansive, guitar-driven textures. Fronted by David Powell (vocals, guitar) with Sébastien Gabriel (bass), Anthony Weber (guitar) and Sébastien Steinmann (drums, piano), the band’s recent album deepens their atmospheric, melancholic sound.

19 – 28 May

Le retour, conceived and performed by Marion Duval and staged by the Chris Cadillac company, blends theatre, clowning and performance. Marion Duval leads a large ensemble including AzuXenia, Adina Secretan and Aram Xwindar, supported by a collaborative creative team. The piece confronts antagonism between species and the collapse of capitalist systems through participatory, physical and often humorous scenes. Sparse, visceral staging and communal moments invite reflection on coexistence and collective responsibility.

In French.

Wednesday 20 May, 20:00

Led by Ensemble Temenos, this programme reunites trio sonatas, suites of symphonies, a flute sonata and organ pieces by Antoine Dornel. The ensemble, with Alice Julien-Laferrière (violin) and Karel Valter (traverso), explores the refined elegance and inventive balance of late 17th–early 18th‑century French style. The music unfolds through measured dances, ornate ornamentation and lyrical Italianate contrasts, revealing melodic suppleness, intimate dialogues and rich harmonic clarity. The performance aims for transparent textures and poetic expression, inviting attentive listening to a seldom-heard repertoire.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

20 – 27 May

Imagine and explore a tiny world of rustling leaves and soft paw prints. Guided stories and gentle prompts invite little ones to listen, touch, and follow colorful animal tracks. Children will smell damp earth, hear birdsong, and peer at playful shapes while discovering forest habits through movement and sound. Activities encourage curiosity, language, and cozy sharing with an adult companion. The pace is calm, bright, and full of small surprises.

Dates :
Wednesday 20 May, 10:30, 14:30, 15:30
Friday 22 May, 10:30
Wednesday 27 May, 10:30

In French. Kids ages 3–5.

Wednesday 20 May, 18:30

Formed in 2017 and based in Geneva, The Molitors are an alternative rock/indie quartet whose songs draw on influences from Nick Cave, The Smiths, Leonard Cohen, Pink Floyd and Nick Drake. Their original compositions explore dystopia, solitude, love and hope, balanced between brooding ballads and expansive, guitar-driven textures. Fronted by David Powell (vocals, guitar) with Sébastien Gabriel (bass), Anthony Weber (guitar) and Sébastien Steinmann (drums, piano), the band’s recent album deepens their atmospheric, melancholic sound.

19 – 28 May

Le retour, conceived and performed by Marion Duval and staged by the Chris Cadillac company, blends theatre, clowning and performance. Marion Duval leads a large ensemble including AzuXenia, Adina Secretan and Aram Xwindar, supported by a collaborative creative team. The piece confronts antagonism between species and the collapse of capitalist systems through participatory, physical and often humorous scenes. Sparse, visceral staging and communal moments invite reflection on coexistence and collective responsibility.

In French.

Wednesday 20 May, 20:00

Led by Ensemble Temenos, this programme reunites trio sonatas, suites of symphonies, a flute sonata and organ pieces by Antoine Dornel. The ensemble, with Alice Julien-Laferrière (violin) and Karel Valter (traverso), explores the refined elegance and inventive balance of late 17th–early 18th‑century French style. The music unfolds through measured dances, ornate ornamentation and lyrical Italianate contrasts, revealing melodic suppleness, intimate dialogues and rich harmonic clarity. The performance aims for transparent textures and poetic expression, inviting attentive listening to a seldom-heard repertoire.

Saturday 23 May, 15:00

Prof. Nicolas Donin is a full professor in the musicology department at the University of Geneva, with expertise in musicology and critical listening.

He explores overlooked links between music and ecology, examining how biodiversity loss, pollution and climate change affect soundscapes, musical practices and listening habits. The lecture discusses theoretical frameworks and concrete examples to reveal how environmental issues reshape composition, performance and community relations around music.

In French.

Saturday 23 May, 20:00

Celebrating the Undertones’ 50-year legacy, this punk double bill pairs the Northern Irish veterans with Geneva’s Asphalt for a night of raw energy. The Undertones bring their tight, hook-driven songwriting—anchored by the echo of “Teenage Kicks”—while Asphalt channels arcade-era grit and bel canto-inflected shouts, featuring players from Armure, Allusion, The Chisel and Branlarians. Presented in collaboration with Le Rez and Roosevelt Sports Club, the concert oscillates between singalong immediacy and feral momentum, a visceral reminder of punk’s communal power.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

Saturday 23 May, 20:30

Thibaud Agoston offers his third and most personal stand-up show, Petite Mort, a sharp and intimate exploration of love, friendship, sexuality and loss through the prism of a breakup. With candid storytelling, self-deprecating humour and observational wit, he navigates tensions between desire and grief while keeping the audience laughing. The evening opens with Félix Ringaby, a young Swiss stand-up artist whose fresh voice complements Agoston’s darker comic reflections.

In French.

19 – 24 May 2026

Plan-les-Ouates is celebrating its 175th anniversary with a comedic show starring Marie-Thérèse, the well-known Swiss housewife, alongside emerging comedians like Bruno Peki and Julie Conti. This performance advocating for greater recognition promises laughter and entertainment. .

In French.

23 – 31 May

Ronchon l’teigneux is a spirited adaptation of Menander’s Dyskolos by the Groupe de Théâtre Antique de l’Université de Neuchâtel. Performed outdoors in a garden setting, this lively staging uses a colloquial translation to blend ancient comedy with contemporary energy. The ensemble favours physical humour, tight timing and convivial tableaux to explore stubbornness, love and comic misunderstandings, culminating in a communal-feast atmosphere that amplifies the play’s social warmth.

In French.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

20 – 27 May

Imagine and explore a tiny world of rustling leaves and soft paw prints. Guided stories and gentle prompts invite little ones to listen, touch, and follow colorful animal tracks. Children will smell damp earth, hear birdsong, and peer at playful shapes while discovering forest habits through movement and sound. Activities encourage curiosity, language, and cozy sharing with an adult companion. The pace is calm, bright, and full of small surprises.

Dates :
Wednesday 20 May, 10:30, 14:30, 15:30
Friday 22 May, 10:30
Wednesday 27 May, 10:30

In French. Kids ages 3–5.

Wednesday 20 May, 18:30

Formed in 2017 and based in Geneva, The Molitors are an alternative rock/indie quartet whose songs draw on influences from Nick Cave, The Smiths, Leonard Cohen, Pink Floyd and Nick Drake. Their original compositions explore dystopia, solitude, love and hope, balanced between brooding ballads and expansive, guitar-driven textures. Fronted by David Powell (vocals, guitar) with Sébastien Gabriel (bass), Anthony Weber (guitar) and Sébastien Steinmann (drums, piano), the band’s recent album deepens their atmospheric, melancholic sound.

19 – 28 May

Le retour, conceived and performed by Marion Duval and staged by the Chris Cadillac company, blends theatre, clowning and performance. Marion Duval leads a large ensemble including AzuXenia, Adina Secretan and Aram Xwindar, supported by a collaborative creative team. The piece confronts antagonism between species and the collapse of capitalist systems through participatory, physical and often humorous scenes. Sparse, visceral staging and communal moments invite reflection on coexistence and collective responsibility.

In French.

Wednesday 20 May, 20:00

Led by Ensemble Temenos, this programme reunites trio sonatas, suites of symphonies, a flute sonata and organ pieces by Antoine Dornel. The ensemble, with Alice Julien-Laferrière (violin) and Karel Valter (traverso), explores the refined elegance and inventive balance of late 17th–early 18th‑century French style. The music unfolds through measured dances, ornate ornamentation and lyrical Italianate contrasts, revealing melodic suppleness, intimate dialogues and rich harmonic clarity. The performance aims for transparent textures and poetic expression, inviting attentive listening to a seldom-heard repertoire.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Writer, interviewer, collector of conversations. Alain Elkann has sat across from presidents, cardinals, artists, and Nobel Prize winners — thousands of conversations spanning decades — and never once posed a question he wasn't willing to abandon. I met him at his home in Geneva to talk a bit about everything: the craft of the interview, the future of books, why common sense might be the most underrated virtue of our time, and the advice that has stayed with him since childhood.
Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

Array

– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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