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Henry Ravenhall, assistant professor at the University of Berkeley, brings expertise in medieval manuscripts and literary culture. He focuses on material practices and textual transmission in the Middle Ages.
This lecture examines touch and the performativity of the manuscript through Richard de Fournival and his contemporaries, exploring how bodily interaction, annotation and reading practices shape meaning and authorship. Ravenhall discusses methodological approaches that combine codicology and literary analysis to reveal new perspectives on medieval textuality.
In French.
Paulette, an editor, led the inquiry alongside Guy Chevalley, editor and author, and Edward Mandry, art historian and writer, who bring editorial, literary and historical perspectives on Romande LGBTQIA+ writing.
This exchange and playful workshop shares findings from their investigation, examines queer, trans, bisexual and gay figures in Romande prose and poetry, explores hidden narratives across urban and rural settings, and considers how these texts reshape regional literary history and identity.
In French.
Patricia Guisado, librarian in charge of the film collection, manages and preserves ethnographic audiovisual materials and facilitates access for research and education.
This presentation examines the scope and significance of the ethnographic film collection, exploring themes of cultural memory, archival practices, and ethical use of audiovisual sources. Guisado discusses preservation challenges, documentation strategies, and how these films inform anthropological research and public understanding.
In French.
Léo Maillet, postdoctoral researcher at the Department of East Asian Studies, University of Geneva, presents research on bread and its modes of production, circulation and consumption in East Turkestan from the nineteenth century to the present. Focusing on Uyghur bakery practices, Maillet examines how bread shapes daily subsistence, social practices and forms of resistance to Chinese settler colonialism. The lecture situates culinary practices within broader historical and political transformations to reveal overlooked perspectives on community survival and resilience.
In French.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Led by guitarist and composer Bill Frisell, this trio with Luke Bergman and Tim Angulo blends contemporary jazz, experimental rock and American roots—folk, blues and country—into a lyrical, exploratory sound. Frisell’s melodic experimentation and wind-like guitar phrasing meet Bergman’s harmonic insight and Angulo’s mysterious textures, creating intimate interplay and unexpected turns. The programme draws on Frisell’s recent album In My Dreams, offering spacious improvisation, warm nuance and a sense of discovery that balances craft with surprise.
Conceived by conductor Marie Célérier, Symphon’Hip-Hop brings the Geneva Chamber Orchestra together with Timar, Aamo, Dakeez, Mibsy and Kamil Osmanov to forge a bold dialogue between classical textures and hip‑hop, soul and R&B. Orchestral timbres intertwine with beat-driven vocal lines, while a dance battle sets a kinetic frame for the evening. Curated with Planète Rouge, the project balances improvisation and composed structures, creating an exhilarating, urban‑classical soundworld that foregrounds rhythm and collective energy.
Henry Ravenhall, assistant professor at the University of Berkeley, brings expertise in medieval manuscripts and literary culture. He focuses on material practices and textual transmission in the Middle Ages.
This lecture examines touch and the performativity of the manuscript through Richard de Fournival and his contemporaries, exploring how bodily interaction, annotation and reading practices shape meaning and authorship. Ravenhall discusses methodological approaches that combine codicology and literary analysis to reveal new perspectives on medieval textuality.
In French.
Paulette, an editor, led the inquiry alongside Guy Chevalley, editor and author, and Edward Mandry, art historian and writer, who bring editorial, literary and historical perspectives on Romande LGBTQIA+ writing.
This exchange and playful workshop shares findings from their investigation, examines queer, trans, bisexual and gay figures in Romande prose and poetry, explores hidden narratives across urban and rural settings, and considers how these texts reshape regional literary history and identity.
In French.
Patricia Guisado, librarian in charge of the film collection, manages and preserves ethnographic audiovisual materials and facilitates access for research and education.
This presentation examines the scope and significance of the ethnographic film collection, exploring themes of cultural memory, archival practices, and ethical use of audiovisual sources. Guisado discusses preservation challenges, documentation strategies, and how these films inform anthropological research and public understanding.
In French.
Léo Maillet, postdoctoral researcher at the Department of East Asian Studies, University of Geneva, presents research on bread and its modes of production, circulation and consumption in East Turkestan from the nineteenth century to the present. Focusing on Uyghur bakery practices, Maillet examines how bread shapes daily subsistence, social practices and forms of resistance to Chinese settler colonialism. The lecture situates culinary practices within broader historical and political transformations to reveal overlooked perspectives on community survival and resilience.
In French.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Led by guitarist and composer Bill Frisell, this trio with Luke Bergman and Tim Angulo blends contemporary jazz, experimental rock and American roots—folk, blues and country—into a lyrical, exploratory sound. Frisell’s melodic experimentation and wind-like guitar phrasing meet Bergman’s harmonic insight and Angulo’s mysterious textures, creating intimate interplay and unexpected turns. The programme draws on Frisell’s recent album In My Dreams, offering spacious improvisation, warm nuance and a sense of discovery that balances craft with surprise.
Conceived by conductor Marie Célérier, Symphon’Hip-Hop brings the Geneva Chamber Orchestra together with Timar, Aamo, Dakeez, Mibsy and Kamil Osmanov to forge a bold dialogue between classical textures and hip‑hop, soul and R&B. Orchestral timbres intertwine with beat-driven vocal lines, while a dance battle sets a kinetic frame for the evening. Curated with Planète Rouge, the project balances improvisation and composed structures, creating an exhilarating, urban‑classical soundworld that foregrounds rhythm and collective energy.
Henry Ravenhall, assistant professor at the University of Berkeley, brings expertise in medieval manuscripts and literary culture. He focuses on material practices and textual transmission in the Middle Ages.
This lecture examines touch and the performativity of the manuscript through Richard de Fournival and his contemporaries, exploring how bodily interaction, annotation and reading practices shape meaning and authorship. Ravenhall discusses methodological approaches that combine codicology and literary analysis to reveal new perspectives on medieval textuality.
In French.
Paulette, an editor, led the inquiry alongside Guy Chevalley, editor and author, and Edward Mandry, art historian and writer, who bring editorial, literary and historical perspectives on Romande LGBTQIA+ writing.
This exchange and playful workshop shares findings from their investigation, examines queer, trans, bisexual and gay figures in Romande prose and poetry, explores hidden narratives across urban and rural settings, and considers how these texts reshape regional literary history and identity.
In French.
Patricia Guisado, librarian in charge of the film collection, manages and preserves ethnographic audiovisual materials and facilitates access for research and education.
This presentation examines the scope and significance of the ethnographic film collection, exploring themes of cultural memory, archival practices, and ethical use of audiovisual sources. Guisado discusses preservation challenges, documentation strategies, and how these films inform anthropological research and public understanding.
In French.
Léo Maillet, postdoctoral researcher at the Department of East Asian Studies, University of Geneva, presents research on bread and its modes of production, circulation and consumption in East Turkestan from the nineteenth century to the present. Focusing on Uyghur bakery practices, Maillet examines how bread shapes daily subsistence, social practices and forms of resistance to Chinese settler colonialism. The lecture situates culinary practices within broader historical and political transformations to reveal overlooked perspectives on community survival and resilience.
In French.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Led by guitarist and composer Bill Frisell, this trio with Luke Bergman and Tim Angulo blends contemporary jazz, experimental rock and American roots—folk, blues and country—into a lyrical, exploratory sound. Frisell’s melodic experimentation and wind-like guitar phrasing meet Bergman’s harmonic insight and Angulo’s mysterious textures, creating intimate interplay and unexpected turns. The programme draws on Frisell’s recent album In My Dreams, offering spacious improvisation, warm nuance and a sense of discovery that balances craft with surprise.
Comedian and actor Justine Le Pottier recounts her life on stage in a wry, intimate solo show. She navigates the upheaval of moving to Paris, drama school trials, misfired auditions, and the early YouTube boom with candid humour and vivid anecdotes. Interwoven are personal stories about relationships, her dog and an unexpected encounter with a Formula One driver, creating a blend of confessional storytelling and sharp observational comedy.
In French.
Adapted freely from Maryse Condé and Emily Brontë, this theatrical adaptation follows Razyé and Cathy across three generations in a post-emancipation Guadeloupe. Directed by Anne Monfort, the production probes themes of racism, passion, pride, social violence, vengeance and fatalism through a visceral, rhythmic staging. The ensemble uses sparse, evocative design and intense physical interplay to reveal how inherited trauma shapes desire and retribution.
In French.
These post-show sessions offer a convivial, in-depth look at the creative process behind La Zone Nono. Led by the company’s artistic team, the discussion explores staging choices, puppetry techniques and the technical challenges specific to puppet theatre. Participants gain insight into directorial decisions and practical solutions used during rehearsals and performances, with an opportunity for questions and exchanges.
In French. Talk with the artistic team of La zone nono.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Novarina’s text is staged as a pulsating, jubilant language for seated singers: an archipelago of acts and unresolved gestures. Cascades of duos, liturgies of the circus, laments, spoken landscapes and fragmentary songs assemble into a corrosive poetic satire that probes the sonic, visual, semantic and rhythmic virtualities of speech. The piece interrogates political discourse, the press and the social image of man while privileging theatrical sound and corporeal invention. Produced by Studio d’Action Théâtrale as part of its 40th anniversary.
In French.
Wright Colloquium 2026 brings together interdisciplinary inquiry to rethink what we call intelligence. The program examines intelligence across scales — from artificial systems and ant colonies to neurons and engrams — and considers cognitive, neurological and philosophical perspectives. Participants will explore how different forms of intelligence shape societies, knowledge and our worldviews, with discussions, panels and workshops aimed at advancing conceptual and practical understanding.
In French and in English.
Bernard Rose’s 1992 horror classic Candyman transposes urban folklore into a chilling psychological tale. Following Helen Lyle, a graduate student researching local myths, the film unravels as belief and violence intersect, conjuring a spectral figure summoned before a mirror. Shot with stark atmosphere and visceral imagery, Candyman explores themes of collective memory, social marginalization and the power of myth to haunt everyday life.
In English with French subtitles.
Conceived by conductor Marie Célérier, Symphon’Hip-Hop brings the Geneva Chamber Orchestra together with Timar, Aamo, Dakeez, Mibsy and Kamil Osmanov to forge a bold dialogue between classical textures and hip‑hop, soul and R&B. Orchestral timbres intertwine with beat-driven vocal lines, while a dance battle sets a kinetic frame for the evening. Curated with Planète Rouge, the project balances improvisation and composed structures, creating an exhilarating, urban‑classical soundworld that foregrounds rhythm and collective energy.
Henry Ravenhall, assistant professor at the University of Berkeley, brings expertise in medieval manuscripts and literary culture. He focuses on material practices and textual transmission in the Middle Ages.
This lecture examines touch and the performativity of the manuscript through Richard de Fournival and his contemporaries, exploring how bodily interaction, annotation and reading practices shape meaning and authorship. Ravenhall discusses methodological approaches that combine codicology and literary analysis to reveal new perspectives on medieval textuality.
In French.
Paulette, an editor, led the inquiry alongside Guy Chevalley, editor and author, and Edward Mandry, art historian and writer, who bring editorial, literary and historical perspectives on Romande LGBTQIA+ writing.
This exchange and playful workshop shares findings from their investigation, examines queer, trans, bisexual and gay figures in Romande prose and poetry, explores hidden narratives across urban and rural settings, and considers how these texts reshape regional literary history and identity.
In French.
Patricia Guisado, librarian in charge of the film collection, manages and preserves ethnographic audiovisual materials and facilitates access for research and education.
This presentation examines the scope and significance of the ethnographic film collection, exploring themes of cultural memory, archival practices, and ethical use of audiovisual sources. Guisado discusses preservation challenges, documentation strategies, and how these films inform anthropological research and public understanding.
In French.
Léo Maillet, postdoctoral researcher at the Department of East Asian Studies, University of Geneva, presents research on bread and its modes of production, circulation and consumption in East Turkestan from the nineteenth century to the present. Focusing on Uyghur bakery practices, Maillet examines how bread shapes daily subsistence, social practices and forms of resistance to Chinese settler colonialism. The lecture situates culinary practices within broader historical and political transformations to reveal overlooked perspectives on community survival and resilience.
In French.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Led by guitarist and composer Bill Frisell, this trio with Luke Bergman and Tim Angulo blends contemporary jazz, experimental rock and American roots—folk, blues and country—into a lyrical, exploratory sound. Frisell’s melodic experimentation and wind-like guitar phrasing meet Bergman’s harmonic insight and Angulo’s mysterious textures, creating intimate interplay and unexpected turns. The programme draws on Frisell’s recent album In My Dreams, offering spacious improvisation, warm nuance and a sense of discovery that balances craft with surprise.
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Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today
Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
An intimate museum in the heart of Geneva, the Musée Tatiana Zoubov presents the refined collection assembled by its namesake collector. Paintings, furniture, porcelain, silverware and decorative objects evoke the atmosphere of a private European collection, offering a glimpse into the tastes and art of living of another era.
In the heart of Geneva’s Old Town, the International Museum of the Reformation traces the history and legacy of the Protestant Reformation from the 16th century to the present day. Historical objects, artworks and immersive displays explore a movement that profoundly shaped Geneva and influenced societies around the world.
Located in the historic heart of Carouge, the Musée de Carouge explores the artistic and cultural heritage of this distinctive town. Its collections and temporary exhibitions bring together fine and decorative arts, local history and contemporary creation, reflecting Carouge’s unique identity and creative spirit.
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