Don’t just like it, live it!

Sunday 12 April, 14:00

Genevan artists Serval (graffiti) and Kalonji (illustrator) present collaborative live interventions that foreground process and exchange. Through spray-painted gestures, drawn studies and on-the-spot compositions, their practice brings graffiti’s urban energy into dialogue with illustration’s line and narrative.
The encounters generate ephemeral murals, sketches and hybrid works that respond to surrounding artworks and invite reflection on authorship, community and the visible traces of making. The project emphasizes immediacy, improvisation and the porous boundary between public and intimate mark-making.

In French.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

Sunday 12 April, 18:00

Charlie Haid offers an intimate, high‑intensity mentalism show that blends humour, warmth and striking feats. With a sincere approach, he aims to astonish, provoke laughter and prompt reflection, inviting the audience to question free will while revealing the thoughts of strangers onstage. The performance balances playful moments and deeply uncanny experiments, driven by Haid’s rapport with participants. In collaboration with Fabien Olicard.

In French.

Sunday 12 April, 18:00

Murmuration, choreographed by Sadeck Berrabah, assembles fifty dancers in a striking fusion of hip-hop, martial arts, contemporary dance and ballet. The piece explores collective movement through geometric staging and razor‑sharp synchronization, framed by a newly conceived lighting concept that sculpts bodies and space. With an emphasis on ensemble dynamics and emotional intensity, the production balances athletic precision and lyrical moments to create an immersive, sensory performance.

12 March – 14 May

Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.

Opening during the Nuit des Bains, Thursday 12 March, 18:00

Sunday 12 April, 14:00

Genevan artists Serval (graffiti) and Kalonji (illustrator) present collaborative live interventions that foreground process and exchange. Through spray-painted gestures, drawn studies and on-the-spot compositions, their practice brings graffiti’s urban energy into dialogue with illustration’s line and narrative.
The encounters generate ephemeral murals, sketches and hybrid works that respond to surrounding artworks and invite reflection on authorship, community and the visible traces of making. The project emphasizes immediacy, improvisation and the porous boundary between public and intimate mark-making.

In French.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

Sunday 12 April, 18:00

Charlie Haid offers an intimate, high‑intensity mentalism show that blends humour, warmth and striking feats. With a sincere approach, he aims to astonish, provoke laughter and prompt reflection, inviting the audience to question free will while revealing the thoughts of strangers onstage. The performance balances playful moments and deeply uncanny experiments, driven by Haid’s rapport with participants. In collaboration with Fabien Olicard.

In French.

Sunday 12 April, 18:00

Murmuration, choreographed by Sadeck Berrabah, assembles fifty dancers in a striking fusion of hip-hop, martial arts, contemporary dance and ballet. The piece explores collective movement through geometric staging and razor‑sharp synchronization, framed by a newly conceived lighting concept that sculpts bodies and space. With an emphasis on ensemble dynamics and emotional intensity, the production balances athletic precision and lyrical moments to create an immersive, sensory performance.

12 March – 14 May

Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.

Opening during the Nuit des Bains, Thursday 12 March, 18:00

Sunday 12 April, 14:00

Genevan artists Serval (graffiti) and Kalonji (illustrator) present collaborative live interventions that foreground process and exchange. Through spray-painted gestures, drawn studies and on-the-spot compositions, their practice brings graffiti’s urban energy into dialogue with illustration’s line and narrative.
The encounters generate ephemeral murals, sketches and hybrid works that respond to surrounding artworks and invite reflection on authorship, community and the visible traces of making. The project emphasizes immediacy, improvisation and the porous boundary between public and intimate mark-making.

In French.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

Sunday 12 April, 18:00

Charlie Haid offers an intimate, high‑intensity mentalism show that blends humour, warmth and striking feats. With a sincere approach, he aims to astonish, provoke laughter and prompt reflection, inviting the audience to question free will while revealing the thoughts of strangers onstage. The performance balances playful moments and deeply uncanny experiments, driven by Haid’s rapport with participants. In collaboration with Fabien Olicard.

In French.

Sunday 12 April, 18:00

Murmuration, choreographed by Sadeck Berrabah, assembles fifty dancers in a striking fusion of hip-hop, martial arts, contemporary dance and ballet. The piece explores collective movement through geometric staging and razor‑sharp synchronization, framed by a newly conceived lighting concept that sculpts bodies and space. With an emphasis on ensemble dynamics and emotional intensity, the production balances athletic precision and lyrical moments to create an immersive, sensory performance.

12 March – 14 May

Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.

Opening during the Nuit des Bains, Thursday 12 March, 18:00

Sunday 12 April, 14:00

Genevan artists Serval (graffiti) and Kalonji (illustrator) present collaborative live interventions that foreground process and exchange. Through spray-painted gestures, drawn studies and on-the-spot compositions, their practice brings graffiti’s urban energy into dialogue with illustration’s line and narrative.
The encounters generate ephemeral murals, sketches and hybrid works that respond to surrounding artworks and invite reflection on authorship, community and the visible traces of making. The project emphasizes immediacy, improvisation and the porous boundary between public and intimate mark-making.

In French.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

Sunday 12 April, 18:00

Charlie Haid offers an intimate, high‑intensity mentalism show that blends humour, warmth and striking feats. With a sincere approach, he aims to astonish, provoke laughter and prompt reflection, inviting the audience to question free will while revealing the thoughts of strangers onstage. The performance balances playful moments and deeply uncanny experiments, driven by Haid’s rapport with participants. In collaboration with Fabien Olicard.

In French.

Sunday 12 April, 18:00

Murmuration, choreographed by Sadeck Berrabah, assembles fifty dancers in a striking fusion of hip-hop, martial arts, contemporary dance and ballet. The piece explores collective movement through geometric staging and razor‑sharp synchronization, framed by a newly conceived lighting concept that sculpts bodies and space. With an emphasis on ensemble dynamics and emotional intensity, the production balances athletic precision and lyrical moments to create an immersive, sensory performance.

12 March – 14 May

Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.

Opening during the Nuit des Bains, Thursday 12 March, 18:00

Sunday 12 April, 14:00

Genevan artists Serval (graffiti) and Kalonji (illustrator) present collaborative live interventions that foreground process and exchange. Through spray-painted gestures, drawn studies and on-the-spot compositions, their practice brings graffiti’s urban energy into dialogue with illustration’s line and narrative.
The encounters generate ephemeral murals, sketches and hybrid works that respond to surrounding artworks and invite reflection on authorship, community and the visible traces of making. The project emphasizes immediacy, improvisation and the porous boundary between public and intimate mark-making.

In French.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

Sunday 12 April, 18:00

Charlie Haid offers an intimate, high‑intensity mentalism show that blends humour, warmth and striking feats. With a sincere approach, he aims to astonish, provoke laughter and prompt reflection, inviting the audience to question free will while revealing the thoughts of strangers onstage. The performance balances playful moments and deeply uncanny experiments, driven by Haid’s rapport with participants. In collaboration with Fabien Olicard.

In French.

Sunday 12 April, 18:00

Murmuration, choreographed by Sadeck Berrabah, assembles fifty dancers in a striking fusion of hip-hop, martial arts, contemporary dance and ballet. The piece explores collective movement through geometric staging and razor‑sharp synchronization, framed by a newly conceived lighting concept that sculpts bodies and space. With an emphasis on ensemble dynamics and emotional intensity, the production balances athletic precision and lyrical moments to create an immersive, sensory performance.

12 March – 14 May

Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.

Opening during the Nuit des Bains, Thursday 12 March, 18:00

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.
Geneva gave the world the Red Cross, the United Nations, and — as it turns out — the modern comic strip. It's a part of the city's identity that often gets overlooked, but from a 19th-century teacher sketching picture stories by the lake to a new comics museum opening in the works, Geneva's relationship with the ninth art is deeper and more alive than most people realize.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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