Don’t just like it, live it!

14 – 22 March

Now in its 28th edition, Voix de Fête gathers a chorus of francophone voices across nearly fifty concerts on a dozen stages. The programme juxtaposes rap, chanson, electro and world musics, presenting artists such as Oxmo Puccino with guest Yao, Vincent Delerm, MPL, Les Fils du Facteur (with Compagnie des 10 Doigts en Cavale in a chant‑signed project), Sam Sauvage, Marguerite, GiedRé and others. A tribute to Michel Bühler brings several interpreters together, while spontaneous jam nights and collaborative sets foreground live intensity and cross-genre dialogue.

Tuesday 17 March, 19:00

Hend Jouda performs a powerful Arabic reading that traces the experience of war, precarity and the fragile hope of renewal. Her voice, carried among intimate anecdotes and universal gestures, fragments everyday life while carving a poetic space. Translator and collaborator Henri Jules Julien provides a reflective translation and outside perspective, and Youness Atbane shapes the sound environment to heighten textures and silence. Presented with French surtitles, the performance balances urgency and tenderness.

17 – 22 March

Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

16 – 21 March

Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.

In English.

17 – 29 March

The Green Film Festival raises awareness about the impacts of climate change and promotes sustainable lifestyles by showcasing films that offer solutions. Screenings are often followed by discussions with invited experts who address questions and inspire action for the environment.

14 – 22 March

Now in its 28th edition, Voix de Fête gathers a chorus of francophone voices across nearly fifty concerts on a dozen stages. The programme juxtaposes rap, chanson, electro and world musics, presenting artists such as Oxmo Puccino with guest Yao, Vincent Delerm, MPL, Les Fils du Facteur (with Compagnie des 10 Doigts en Cavale in a chant‑signed project), Sam Sauvage, Marguerite, GiedRé and others. A tribute to Michel Bühler brings several interpreters together, while spontaneous jam nights and collaborative sets foreground live intensity and cross-genre dialogue.

Tuesday 17 March, 19:00

Hend Jouda performs a powerful Arabic reading that traces the experience of war, precarity and the fragile hope of renewal. Her voice, carried among intimate anecdotes and universal gestures, fragments everyday life while carving a poetic space. Translator and collaborator Henri Jules Julien provides a reflective translation and outside perspective, and Youness Atbane shapes the sound environment to heighten textures and silence. Presented with French surtitles, the performance balances urgency and tenderness.

17 – 22 March

Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

16 – 21 March

Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.

In English.

17 – 29 March

The Green Film Festival raises awareness about the impacts of climate change and promotes sustainable lifestyles by showcasing films that offer solutions. Screenings are often followed by discussions with invited experts who address questions and inspire action for the environment.

14 – 22 March

Now in its 28th edition, Voix de Fête gathers a chorus of francophone voices across nearly fifty concerts on a dozen stages. The programme juxtaposes rap, chanson, electro and world musics, presenting artists such as Oxmo Puccino with guest Yao, Vincent Delerm, MPL, Les Fils du Facteur (with Compagnie des 10 Doigts en Cavale in a chant‑signed project), Sam Sauvage, Marguerite, GiedRé and others. A tribute to Michel Bühler brings several interpreters together, while spontaneous jam nights and collaborative sets foreground live intensity and cross-genre dialogue.

Tuesday 17 March, 19:00

Hend Jouda performs a powerful Arabic reading that traces the experience of war, precarity and the fragile hope of renewal. Her voice, carried among intimate anecdotes and universal gestures, fragments everyday life while carving a poetic space. Translator and collaborator Henri Jules Julien provides a reflective translation and outside perspective, and Youness Atbane shapes the sound environment to heighten textures and silence. Presented with French surtitles, the performance balances urgency and tenderness.

17 – 22 March

Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

16 – 21 March

Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.

In English.

17 – 29 March

The Green Film Festival raises awareness about the impacts of climate change and promotes sustainable lifestyles by showcasing films that offer solutions. Screenings are often followed by discussions with invited experts who address questions and inspire action for the environment.

17 – 22 March

Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.

Saturday 21 March, 20:00

Part of the Festival Voix de Fête, this concert pairs Juliette Magnevasoa and the Geneva duo Beth & Patricia in an intimate evening of voice-led folk and acoustic textures. Juliette blends Malagasy roots with other influences, shaping a sensitive, living songwriting voice. Beth & Patricia mix guitar and cavaquinho, drawing on memories of Praia to turn nostalgia into tenderness on stage. The programme favours close listening and warm, immediate musical storytelling.

19 – 29 March

Leonardo García Alarcón and his Cappella Mediterranea, in collaboration with the GTG Ballet, present the opera-dance Castor & Pollux by Jean-Philippe Rameau. Rarely performed in its 1737 version, the work delves into themes of brotherly love and sacrifice amidst a war between two peoples. The show features renowned baroque artists, including performances by Reinoud van Mechelen and Andreas Wolf. Dance is woven into the core of the dramaturgy, highlighting the emotional and musical depth of Rameau’s composition.

In French, with English subtitles.

21 – 22 March

An open market gathering a selection of independent artists and makers from Geneva who work across drawing, print, painting, art jewellery, ceramics, editions and artist multiples. The event foregrounds contemporary craft and object-based practices, pairing delicate hand-made techniques with experimental print and mixed-media approaches. Through intimate objects and small editions it examines materiality, authorship and the gestures of making, inviting close encounters with artistic processes and the diverse visual languages of studio practice.

19 – 29 March

Performed by Camélia Acef and Youri Rebeko, La tête ailleurs is a light, comic musical about Norah, who can’t help hearing songs in her head whenever she tries to concentrate. The piece slides between Broadway-classic, funk, pop and tango, treating the intrusive melodies as a playful yet unsettling manifestation of the unconscious. The staging balances energetic numbers and intimate moments, probing memory and identity. The show was nominated at the 2025 Trophées de la Comédie Musicale (Best Book; Revelation Masculine for Youri Rebeko).

In French.

Saturday 21 March, 14:30

Matteo Zimmermann and John Menoud present a performative, musical reading of Francis Ponge’s Texte sur l’électricité, blending spoken word and live sound in an eclectic lecture format. The piece revives Ponge’s 1950s commission by the Compagnie d’Électricité, probing themes of electrification, modernity and the everyday with wit and clear-sighted poetry. The duo navigates playful rhythms and sudden surges of intensity, where language itself crackles and invites reflection and laughter.

In French.

14 – 22 March

Now in its 28th edition, Voix de Fête gathers a chorus of francophone voices across nearly fifty concerts on a dozen stages. The programme juxtaposes rap, chanson, electro and world musics, presenting artists such as Oxmo Puccino with guest Yao, Vincent Delerm, MPL, Les Fils du Facteur (with Compagnie des 10 Doigts en Cavale in a chant‑signed project), Sam Sauvage, Marguerite, GiedRé and others. A tribute to Michel Bühler brings several interpreters together, while spontaneous jam nights and collaborative sets foreground live intensity and cross-genre dialogue.

Tuesday 17 March, 19:00

Hend Jouda performs a powerful Arabic reading that traces the experience of war, precarity and the fragile hope of renewal. Her voice, carried among intimate anecdotes and universal gestures, fragments everyday life while carving a poetic space. Translator and collaborator Henri Jules Julien provides a reflective translation and outside perspective, and Youness Atbane shapes the sound environment to heighten textures and silence. Presented with French surtitles, the performance balances urgency and tenderness.

17 – 22 March

Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.

3 – 17 March

Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.

In French.

16 – 21 March

Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.

In English.

17 – 29 March

The Green Film Festival raises awareness about the impacts of climate change and promotes sustainable lifestyles by showcasing films that offer solutions. Screenings are often followed by discussions with invited experts who address questions and inspire action for the environment.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

The duo behind Noa, Estée Apaydin and Gabriella Demole, share their favorite Geneva addresses — from a new neighborhood café to the magic of OSR concerts.
Human rights lawyer Alain Werner, founder of Civitas Maxima, shares a few of his favourite cultural and everyday spots in Geneva.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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