Don’t just like it, live it!

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Presented by the Association des Comédies Musicales de l’Université de Genève, Projet 51 follows two friends, Robin and Bobby, who encounter a whimsical alien and embark on a time-transcending odyssey. Through original songs and theatrical tableaux, the piece explores family, love and the act of telling one’s life. Staged as an intimate yet expansive musical, it blends humour, tenderness and imagination to create vivid moments that shift between playful wonder and heartfelt reflection.

In French.

Friday 15 May, 21:00

Led by saxophonist Chris Potter, this trio juxtaposes virtuosic improvisation and lyrical composition. Potter, a renowned composer and bandleader who has worked with Herbie Hancock, John Scofield and Steely Dan, anchors the music with expansive lines. Matt Brewer’s double bass and Kendrick Scott’s drums provide a responsive rhythmic and harmonic foundation, blending subtle textures and propulsive swing. The interplay emphasizes close listening, dynamic contrast and a warm, immersive sound that balances technical mastery with emotional immediacy.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

14 – 16 May

Entre guillemets presents a titleless performance where objects fall, slide and unsettle the stage. The company blends circus, theatre and visual performance to probe the fragility of everyday life and the challenge of keeping emotional and physical balance. Recovered objects from each venue become autonomous elements within a poetic, chaotic set. The piece mixes physical humour, gravity and touching moments. Performers include Camille Boitel, Sève Bernard, Kenzo Bernard and Étienne Charles, with alternating casts.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Presented by the Association des Comédies Musicales de l’Université de Genève, Projet 51 follows two friends, Robin and Bobby, who encounter a whimsical alien and embark on a time-transcending odyssey. Through original songs and theatrical tableaux, the piece explores family, love and the act of telling one’s life. Staged as an intimate yet expansive musical, it blends humour, tenderness and imagination to create vivid moments that shift between playful wonder and heartfelt reflection.

In French.

Friday 15 May, 21:00

Led by saxophonist Chris Potter, this trio juxtaposes virtuosic improvisation and lyrical composition. Potter, a renowned composer and bandleader who has worked with Herbie Hancock, John Scofield and Steely Dan, anchors the music with expansive lines. Matt Brewer’s double bass and Kendrick Scott’s drums provide a responsive rhythmic and harmonic foundation, blending subtle textures and propulsive swing. The interplay emphasizes close listening, dynamic contrast and a warm, immersive sound that balances technical mastery with emotional immediacy.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

14 – 16 May

Entre guillemets presents a titleless performance where objects fall, slide and unsettle the stage. The company blends circus, theatre and visual performance to probe the fragility of everyday life and the challenge of keeping emotional and physical balance. Recovered objects from each venue become autonomous elements within a poetic, chaotic set. The piece mixes physical humour, gravity and touching moments. Performers include Camille Boitel, Sève Bernard, Kenzo Bernard and Étienne Charles, with alternating casts.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Presented by the Association des Comédies Musicales de l’Université de Genève, Projet 51 follows two friends, Robin and Bobby, who encounter a whimsical alien and embark on a time-transcending odyssey. Through original songs and theatrical tableaux, the piece explores family, love and the act of telling one’s life. Staged as an intimate yet expansive musical, it blends humour, tenderness and imagination to create vivid moments that shift between playful wonder and heartfelt reflection.

In French.

Friday 15 May, 21:00

Led by saxophonist Chris Potter, this trio juxtaposes virtuosic improvisation and lyrical composition. Potter, a renowned composer and bandleader who has worked with Herbie Hancock, John Scofield and Steely Dan, anchors the music with expansive lines. Matt Brewer’s double bass and Kendrick Scott’s drums provide a responsive rhythmic and harmonic foundation, blending subtle textures and propulsive swing. The interplay emphasizes close listening, dynamic contrast and a warm, immersive sound that balances technical mastery with emotional immediacy.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

14 – 16 May

Entre guillemets presents a titleless performance where objects fall, slide and unsettle the stage. The company blends circus, theatre and visual performance to probe the fragility of everyday life and the challenge of keeping emotional and physical balance. Recovered objects from each venue become autonomous elements within a poetic, chaotic set. The piece mixes physical humour, gravity and touching moments. Performers include Camille Boitel, Sève Bernard, Kenzo Bernard and Étienne Charles, with alternating casts.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Presented by the Association des Comédies Musicales de l’Université de Genève, Projet 51 follows two friends, Robin and Bobby, who encounter a whimsical alien and embark on a time-transcending odyssey. Through original songs and theatrical tableaux, the piece explores family, love and the act of telling one’s life. Staged as an intimate yet expansive musical, it blends humour, tenderness and imagination to create vivid moments that shift between playful wonder and heartfelt reflection.

In French.

Friday 15 May, 21:00

Led by saxophonist Chris Potter, this trio juxtaposes virtuosic improvisation and lyrical composition. Potter, a renowned composer and bandleader who has worked with Herbie Hancock, John Scofield and Steely Dan, anchors the music with expansive lines. Matt Brewer’s double bass and Kendrick Scott’s drums provide a responsive rhythmic and harmonic foundation, blending subtle textures and propulsive swing. The interplay emphasizes close listening, dynamic contrast and a warm, immersive sound that balances technical mastery with emotional immediacy.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

14 – 16 May

Entre guillemets presents a titleless performance where objects fall, slide and unsettle the stage. The company blends circus, theatre and visual performance to probe the fragility of everyday life and the challenge of keeping emotional and physical balance. Recovered objects from each venue become autonomous elements within a poetic, chaotic set. The piece mixes physical humour, gravity and touching moments. Performers include Camille Boitel, Sève Bernard, Kenzo Bernard and Étienne Charles, with alternating casts.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Presented by the Association des Comédies Musicales de l’Université de Genève, Projet 51 follows two friends, Robin and Bobby, who encounter a whimsical alien and embark on a time-transcending odyssey. Through original songs and theatrical tableaux, the piece explores family, love and the act of telling one’s life. Staged as an intimate yet expansive musical, it blends humour, tenderness and imagination to create vivid moments that shift between playful wonder and heartfelt reflection.

In French.

Friday 15 May, 21:00

Led by saxophonist Chris Potter, this trio juxtaposes virtuosic improvisation and lyrical composition. Potter, a renowned composer and bandleader who has worked with Herbie Hancock, John Scofield and Steely Dan, anchors the music with expansive lines. Matt Brewer’s double bass and Kendrick Scott’s drums provide a responsive rhythmic and harmonic foundation, blending subtle textures and propulsive swing. The interplay emphasizes close listening, dynamic contrast and a warm, immersive sound that balances technical mastery with emotional immediacy.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

14 – 16 May

Entre guillemets presents a titleless performance where objects fall, slide and unsettle the stage. The company blends circus, theatre and visual performance to probe the fragility of everyday life and the challenge of keeping emotional and physical balance. Recovered objects from each venue become autonomous elements within a poetic, chaotic set. The piece mixes physical humour, gravity and touching moments. Performers include Camille Boitel, Sève Bernard, Kenzo Bernard and Étienne Charles, with alternating casts.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Writer, interviewer, collector of conversations. Alain Elkann has sat across from presidents, cardinals, artists, and Nobel Prize winners — thousands of conversations spanning decades — and never once posed a question he wasn't willing to abandon. I met him at his home in Geneva to talk a bit about everything: the craft of the interview, the future of books, why common sense might be the most underrated virtue of our time, and the advice that has stayed with him since childhood.
Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

Array

– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

Array

With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

Array

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