Don’t just like it, live it!

21 April – 3 May

Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.

In French.

22 April – 3 May

With Rien ne sert de courir, Didier Merlin presents suspended images that hover between snapshot and staged tableau. His enigmatic figures appear trapped beneath glossy glass, frozen between appearance and disappearance.
Working in reverse glass painting since the 1990s, he builds images backward; since 2019 acrylic glass and drypoint engraving have expanded scale and sharpened his line. The exhibition combines painting, engraving and hybrid techniques to explore mediation, fragmented narrative and the porous boundary between intimacy, collective memory and imagined reality.

Monday 27 April, 18:15

Professor Virginia Cox, a scholar at Trinity College, Cambridge, brings extensive expertise in Italian Renaissance literature. She examines Italian lyric poetry within the wider global networks of the Renaissance, exploring circulation, translation, and cross-cultural influences that reshaped poetic forms and meanings. The lecture investigates how transnational contacts informed poetic practices and critical reception, revealing new perspectives on literary exchange and cultural mobility.

In English.

Monday 27 April, 18:00

Hôpiclowns: A Story of Encounters, released for the association’s thirtieth anniversary by éditions Slatkine. The volume sheds light on the little-known yet growing profession of hospital clowning, positioned at the intersection of art and care. Combining testimony and imagery, it examines how playful presence supports patients and caregivers and reveals the emotional and ethical dimensions of bringing humour into medical and institutional settings.

24 April – 23 May

Artist Nicolas Ponce presents a personal exhibition of video installations that probe pathways of memory, both personal and collective. Works combine archival footage, film extracts, stolen sequences and found online materials to build layered visual montages. The exhibition text examines mechanisms of remembrance and describes an artistic montage of contradictions that opens a ‘Chamber of Reminiscences’. Ponce’s practice centres on video and installation, interrogating set, landscape, secrets and political narratives through the lens of popular culture.

Opening : Thursday 23 April, 18:00
Meeting with artist : Thursday 7 May, 18:00

18 February – 23 December

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

21 April – 3 May

Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.

In French.

22 April – 3 May

With Rien ne sert de courir, Didier Merlin presents suspended images that hover between snapshot and staged tableau. His enigmatic figures appear trapped beneath glossy glass, frozen between appearance and disappearance.
Working in reverse glass painting since the 1990s, he builds images backward; since 2019 acrylic glass and drypoint engraving have expanded scale and sharpened his line. The exhibition combines painting, engraving and hybrid techniques to explore mediation, fragmented narrative and the porous boundary between intimacy, collective memory and imagined reality.

Monday 27 April, 18:15

Professor Virginia Cox, a scholar at Trinity College, Cambridge, brings extensive expertise in Italian Renaissance literature. She examines Italian lyric poetry within the wider global networks of the Renaissance, exploring circulation, translation, and cross-cultural influences that reshaped poetic forms and meanings. The lecture investigates how transnational contacts informed poetic practices and critical reception, revealing new perspectives on literary exchange and cultural mobility.

In English.

Monday 27 April, 18:00

Hôpiclowns: A Story of Encounters, released for the association’s thirtieth anniversary by éditions Slatkine. The volume sheds light on the little-known yet growing profession of hospital clowning, positioned at the intersection of art and care. Combining testimony and imagery, it examines how playful presence supports patients and caregivers and reveals the emotional and ethical dimensions of bringing humour into medical and institutional settings.

24 April – 23 May

Artist Nicolas Ponce presents a personal exhibition of video installations that probe pathways of memory, both personal and collective. Works combine archival footage, film extracts, stolen sequences and found online materials to build layered visual montages. The exhibition text examines mechanisms of remembrance and describes an artistic montage of contradictions that opens a ‘Chamber of Reminiscences’. Ponce’s practice centres on video and installation, interrogating set, landscape, secrets and political narratives through the lens of popular culture.

Opening : Thursday 23 April, 18:00
Meeting with artist : Thursday 7 May, 18:00

18 February – 23 December

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

21 April – 3 May

Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.

In French.

22 April – 3 May

With Rien ne sert de courir, Didier Merlin presents suspended images that hover between snapshot and staged tableau. His enigmatic figures appear trapped beneath glossy glass, frozen between appearance and disappearance.
Working in reverse glass painting since the 1990s, he builds images backward; since 2019 acrylic glass and drypoint engraving have expanded scale and sharpened his line. The exhibition combines painting, engraving and hybrid techniques to explore mediation, fragmented narrative and the porous boundary between intimacy, collective memory and imagined reality.

Monday 27 April, 18:15

Professor Virginia Cox, a scholar at Trinity College, Cambridge, brings extensive expertise in Italian Renaissance literature. She examines Italian lyric poetry within the wider global networks of the Renaissance, exploring circulation, translation, and cross-cultural influences that reshaped poetic forms and meanings. The lecture investigates how transnational contacts informed poetic practices and critical reception, revealing new perspectives on literary exchange and cultural mobility.

In English.

Monday 27 April, 18:00

Hôpiclowns: A Story of Encounters, released for the association’s thirtieth anniversary by éditions Slatkine. The volume sheds light on the little-known yet growing profession of hospital clowning, positioned at the intersection of art and care. Combining testimony and imagery, it examines how playful presence supports patients and caregivers and reveals the emotional and ethical dimensions of bringing humour into medical and institutional settings.

24 April – 23 May

Artist Nicolas Ponce presents a personal exhibition of video installations that probe pathways of memory, both personal and collective. Works combine archival footage, film extracts, stolen sequences and found online materials to build layered visual montages. The exhibition text examines mechanisms of remembrance and describes an artistic montage of contradictions that opens a ‘Chamber of Reminiscences’. Ponce’s practice centres on video and installation, interrogating set, landscape, secrets and political narratives through the lens of popular culture.

Opening : Thursday 23 April, 18:00
Meeting with artist : Thursday 7 May, 18:00

18 February – 23 December

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

2 – 9 May

This community festival gathers experts, artists and citizens to imagine shared futures and stimulate collective reflection. Through immersive exhibitions, debates, workshops and performances, it explores major social, environmental and urban challenges and investigates pathways for sustainable transition. Sessions examine cross-cutting themes—innovation, governance, ecological adaptation and cultural practices—offering diverse perspectives and practical insights to help audiences understand systemic issues and identify strategies for local transformation.

In French.

Saturday 2 May, 19:00

Choreographed by Riccardo Ardusso with supervision by Ilaria Giardina, this Swiss premiere fuses contemporary dance and modern orchestral repertoire. Renowned Ensemble Sinfonietta Bern anchors the programme with music from 20th and 21st‑century composers, while Ardusso’s choreography translates sonic textures into sculpted movement. The creative approach blends lyrical neoclassical vocabulary with contemporary gestures, framed by immersive lighting and sound design that shape shifting moods. The result is a tactile, introspective evening where music and bodies coalesce into a new perception of neoclassical language.

Saturday 2 May, 21:00

LDL assembles soprano saxophonist Urs Leimgruber, pianist Jacques Demierre and analog synthesist Thomas Lehn in a finely balanced interplay between precision and instability. Rooted in European free improvisation and contemporary music, the trio unfolds a dense, hyper-attentive dialogue where structure and spontaneity are in constant negotiation. Sparse timbres, sudden micro-gestures and stretched melodic lines dissolve expectations, while attentive dynamics and subtle electronic textures create a taut, immersive atmosphere that rewards close listening.

21 April – 3 May

Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.

In French.

30 April – 2 May

Curated by Frédéric Post and Sonia Perego, MOS ESPA offers an unplugged, immersive festival framed as a barefoot, cocoon-like listening experience. The program features performances by Léna Hiriartborde, Yann Leguay, Julian Sartorius, Pali Meursault and others, blending field recordings, amplified objects, acoustic traditions and electronic textures. Site-specific installations and wooden instruments crafted by a participating maker lend a handcrafted intimacy, while sparse lighting and spatialised sound create close, contemplative atmospheres that favour shared, intense musical moments.

Mos_Espa is a project best experienced barefoot, in socks, slippers, or leather boots. You will be asked to leave your shoes and phone in the cloakroom. For this edition without electricity, credit card payments will not be accepted; cash only.

24 April – 3 May

Explore a lively citywide festival built for families and curious kids. Children and adults share stories, play and create through object theatre, illustrated concerts, parent–child yoga sessions, outdoor art walks, intergenerational game nights, photo displays, film screenings, museum and bookstore activities, library sessions and hands-on workshops. Bright visuals, movement and sound invite imagination and collaboration, with projects to make, watch and discuss.

Kids of all ages.

21 April – 3 May

Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.

In French.

22 April – 3 May

With Rien ne sert de courir, Didier Merlin presents suspended images that hover between snapshot and staged tableau. His enigmatic figures appear trapped beneath glossy glass, frozen between appearance and disappearance.
Working in reverse glass painting since the 1990s, he builds images backward; since 2019 acrylic glass and drypoint engraving have expanded scale and sharpened his line. The exhibition combines painting, engraving and hybrid techniques to explore mediation, fragmented narrative and the porous boundary between intimacy, collective memory and imagined reality.

Monday 27 April, 18:15

Professor Virginia Cox, a scholar at Trinity College, Cambridge, brings extensive expertise in Italian Renaissance literature. She examines Italian lyric poetry within the wider global networks of the Renaissance, exploring circulation, translation, and cross-cultural influences that reshaped poetic forms and meanings. The lecture investigates how transnational contacts informed poetic practices and critical reception, revealing new perspectives on literary exchange and cultural mobility.

In English.

Monday 27 April, 18:00

Hôpiclowns: A Story of Encounters, released for the association’s thirtieth anniversary by éditions Slatkine. The volume sheds light on the little-known yet growing profession of hospital clowning, positioned at the intersection of art and care. Combining testimony and imagery, it examines how playful presence supports patients and caregivers and reveals the emotional and ethical dimensions of bringing humour into medical and institutional settings.

24 April – 23 May

Artist Nicolas Ponce presents a personal exhibition of video installations that probe pathways of memory, both personal and collective. Works combine archival footage, film extracts, stolen sequences and found online materials to build layered visual montages. The exhibition text examines mechanisms of remembrance and describes an artistic montage of contradictions that opens a ‘Chamber of Reminiscences’. Ponce’s practice centres on video and installation, interrogating set, landscape, secrets and political narratives through the lens of popular culture.

Opening : Thursday 23 April, 18:00
Meeting with artist : Thursday 7 May, 18:00

18 February – 23 December

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Writer, interviewer, collector of conversations. Alain Elkann has sat across from presidents, cardinals, artists, and Nobel Prize winners — thousands of conversations spanning decades — and never once posed a question he wasn't willing to abandon. I met him at his home in Geneva to talk a bit about everything: the craft of the interview, the future of books, why common sense might be the most underrated virtue of our time, and the advice that has stayed with him since childhood.
Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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