Don’t just like it, live it!
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Jane Friedrich reads Valère Novarina, offering a personal and imaginative perspective on theatre shaped by more than fifty years on stage in Switzerland, Paris and France. Combining memory, voice and embodiment, Friedrich examines the poetic and dramatic textures of Novarina’s writing and explores theatre as an adventurous practice. The reading highlights interpretive choices and the relationship between text and performance, inviting reflection on language, presence and theatrical imagination.
In French.
Join us for a community Halloween night celebrating Afro sounds, dance, and shared energy. Everyone is welcome to come dressed up, enjoy the costume contest, and move together to a lineup of Afro, shatta, dancehall, bouyon, amapiano, and kuduro rhythms. It is a night for meeting new people, celebrating different cultures, and enjoying an inclusive dancefloor where everyone can feel at ease, have fun, and be themselves in a respectful atmosphere.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Presented as part of a two-night spotlight series, this concert brings together Louis Billette 6tet and Mohs with guests Fanny Martin and Arthur Hnatek. The programme explores contemporary jazz textures, blending warm acoustic phrasing, inventive improvisation and lyrical songs. The sextet’s subtle dynamics meet Mohs’s modern sensibility, with guest contributions adding vocal and instrumental colour. Expect intimate interplay, spontaneous dialogues and a refined, Franco‑Swiss musical conversation.
These post-show sessions offer a convivial, in-depth look at the creative process behind La Zone Nono. Led by the company’s artistic team, the discussion explores staging choices, puppetry techniques and the technical challenges specific to puppet theatre. Participants gain insight into directorial decisions and practical solutions used during rehearsals and performances, with an opportunity for questions and exchanges.
In French. Talk with the artistic team of La zone nono.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Jane Friedrich reads Valère Novarina, offering a personal and imaginative perspective on theatre shaped by more than fifty years on stage in Switzerland, Paris and France. Combining memory, voice and embodiment, Friedrich examines the poetic and dramatic textures of Novarina’s writing and explores theatre as an adventurous practice. The reading highlights interpretive choices and the relationship between text and performance, inviting reflection on language, presence and theatrical imagination.
In French.
Join us for a community Halloween night celebrating Afro sounds, dance, and shared energy. Everyone is welcome to come dressed up, enjoy the costume contest, and move together to a lineup of Afro, shatta, dancehall, bouyon, amapiano, and kuduro rhythms. It is a night for meeting new people, celebrating different cultures, and enjoying an inclusive dancefloor where everyone can feel at ease, have fun, and be themselves in a respectful atmosphere.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Presented as part of a two-night spotlight series, this concert brings together Louis Billette 6tet and Mohs with guests Fanny Martin and Arthur Hnatek. The programme explores contemporary jazz textures, blending warm acoustic phrasing, inventive improvisation and lyrical songs. The sextet’s subtle dynamics meet Mohs’s modern sensibility, with guest contributions adding vocal and instrumental colour. Expect intimate interplay, spontaneous dialogues and a refined, Franco‑Swiss musical conversation.
These post-show sessions offer a convivial, in-depth look at the creative process behind La Zone Nono. Led by the company’s artistic team, the discussion explores staging choices, puppetry techniques and the technical challenges specific to puppet theatre. Participants gain insight into directorial decisions and practical solutions used during rehearsals and performances, with an opportunity for questions and exchanges.
In French. Talk with the artistic team of La zone nono.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Jane Friedrich reads Valère Novarina, offering a personal and imaginative perspective on theatre shaped by more than fifty years on stage in Switzerland, Paris and France. Combining memory, voice and embodiment, Friedrich examines the poetic and dramatic textures of Novarina’s writing and explores theatre as an adventurous practice. The reading highlights interpretive choices and the relationship between text and performance, inviting reflection on language, presence and theatrical imagination.
In French.
Join us for a community Halloween night celebrating Afro sounds, dance, and shared energy. Everyone is welcome to come dressed up, enjoy the costume contest, and move together to a lineup of Afro, shatta, dancehall, bouyon, amapiano, and kuduro rhythms. It is a night for meeting new people, celebrating different cultures, and enjoying an inclusive dancefloor where everyone can feel at ease, have fun, and be themselves in a respectful atmosphere.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Presented as part of a two-night spotlight series, this concert brings together Louis Billette 6tet and Mohs with guests Fanny Martin and Arthur Hnatek. The programme explores contemporary jazz textures, blending warm acoustic phrasing, inventive improvisation and lyrical songs. The sextet’s subtle dynamics meet Mohs’s modern sensibility, with guest contributions adding vocal and instrumental colour. Expect intimate interplay, spontaneous dialogues and a refined, Franco‑Swiss musical conversation.
These post-show sessions offer a convivial, in-depth look at the creative process behind La Zone Nono. Led by the company’s artistic team, the discussion explores staging choices, puppetry techniques and the technical challenges specific to puppet theatre. Participants gain insight into directorial decisions and practical solutions used during rehearsals and performances, with an opportunity for questions and exchanges.
In French. Talk with the artistic team of La zone nono.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Jane Friedrich reads Valère Novarina, offering a personal and imaginative perspective on theatre shaped by more than fifty years on stage in Switzerland, Paris and France. Combining memory, voice and embodiment, Friedrich examines the poetic and dramatic textures of Novarina’s writing and explores theatre as an adventurous practice. The reading highlights interpretive choices and the relationship between text and performance, inviting reflection on language, presence and theatrical imagination.
In French.
Join us for a community Halloween night celebrating Afro sounds, dance, and shared energy. Everyone is welcome to come dressed up, enjoy the costume contest, and move together to a lineup of Afro, shatta, dancehall, bouyon, amapiano, and kuduro rhythms. It is a night for meeting new people, celebrating different cultures, and enjoying an inclusive dancefloor where everyone can feel at ease, have fun, and be themselves in a respectful atmosphere.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Presented as part of a two-night spotlight series, this concert brings together Louis Billette 6tet and Mohs with guests Fanny Martin and Arthur Hnatek. The programme explores contemporary jazz textures, blending warm acoustic phrasing, inventive improvisation and lyrical songs. The sextet’s subtle dynamics meet Mohs’s modern sensibility, with guest contributions adding vocal and instrumental colour. Expect intimate interplay, spontaneous dialogues and a refined, Franco‑Swiss musical conversation.
These post-show sessions offer a convivial, in-depth look at the creative process behind La Zone Nono. Led by the company’s artistic team, the discussion explores staging choices, puppetry techniques and the technical challenges specific to puppet theatre. Participants gain insight into directorial decisions and practical solutions used during rehearsals and performances, with an opportunity for questions and exchanges.
In French. Talk with the artistic team of La zone nono.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Jane Friedrich reads Valère Novarina, offering a personal and imaginative perspective on theatre shaped by more than fifty years on stage in Switzerland, Paris and France. Combining memory, voice and embodiment, Friedrich examines the poetic and dramatic textures of Novarina’s writing and explores theatre as an adventurous practice. The reading highlights interpretive choices and the relationship between text and performance, inviting reflection on language, presence and theatrical imagination.
In French.
Join us for a community Halloween night celebrating Afro sounds, dance, and shared energy. Everyone is welcome to come dressed up, enjoy the costume contest, and move together to a lineup of Afro, shatta, dancehall, bouyon, amapiano, and kuduro rhythms. It is a night for meeting new people, celebrating different cultures, and enjoying an inclusive dancefloor where everyone can feel at ease, have fun, and be themselves in a respectful atmosphere.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Presented as part of a two-night spotlight series, this concert brings together Louis Billette 6tet and Mohs with guests Fanny Martin and Arthur Hnatek. The programme explores contemporary jazz textures, blending warm acoustic phrasing, inventive improvisation and lyrical songs. The sextet’s subtle dynamics meet Mohs’s modern sensibility, with guest contributions adding vocal and instrumental colour. Expect intimate interplay, spontaneous dialogues and a refined, Franco‑Swiss musical conversation.
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Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today
Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
An intimate museum in the heart of Geneva, the Musée Tatiana Zoubov presents the refined collection assembled by its namesake collector. Paintings, furniture, porcelain, silverware and decorative objects evoke the atmosphere of a private European collection, offering a glimpse into the tastes and art of living of another era.
In the heart of Geneva’s Old Town, the International Museum of the Reformation traces the history and legacy of the Protestant Reformation from the 16th century to the present day. Historical objects, artworks and immersive displays explore a movement that profoundly shaped Geneva and influenced societies around the world.
Located in the historic heart of Carouge, the Musée de Carouge explores the artistic and cultural heritage of this distinctive town. Its collections and temporary exhibitions bring together fine and decorative arts, local history and contemporary creation, reflecting Carouge’s unique identity and creative spirit.
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